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Dog Days (2002)
Runtime: 2 hrs 1 min
Synopsis: DOG DAYS is a scathing satire, exposing the ugly underbelly of contemporary suburban mores. It is the first dramatic feature of notorious documentarian Ulrich Seidl (ANIMAL LOVE). With a keen visual sense and lacerating wit, Seidl weaves together the sordid tales of a large group of people... DOG DAYS is a scathing satire, exposing the ugly underbelly of contemporary suburban mores. It is the first dramatic feature of notorious documentarian Ulrich Seidl (ANIMAL LOVE). With a keen visual sense and lacerating wit, Seidl weaves together the sordid tales of a large group of people in suburban Austria during a heat wave. There's the Greek divorced couple who continue to live together, miserable and haunted by the memory of their young daughter's death. There's the alarm system salesman who has to find a scapegoat when the cars in a housing complex that he has serviced are vandalized. There's the desperate older woman whose sadistic boyfriend brings a friend along to watch him humiliate her. There's the elderly control freak who weighs every item he's bought at the supermarket when he gets home. Tying them all together is Anna (Maria Hofstatter), who hitches rides to nowhere, verbally assaulting those who pick her up with a constant barrage of inane top ten lists, advertising jingles, and embarrassing personal questions. Seidl gets solid performances from his cast, many of whom are not professional actors. For those who can stomach it, he offers a compelling glimpse of hell on earth. This film was included in the 31st New Directors/New Films 2002 series presented by The Film Society of Lincoln Center and The Department of Film and Media of The Museum of Modern Art in New York City. [More]
Genre: Dramas
Starring: Maria Hofstatter, Christine Jirku, Victor Henneman, Georg Friedrich, Alfred Mrva
Screenwriter: Ulrich Seidl, Veronika Franz
Producer: Helmut Grasser, Philippe Bober
DVD Info
Release:
Jan 4, 2005
DVD Features:
- Region [unknown]
- Keep Case
- Widescreen
Additional Release Material:
- Interview - 1. Ulrich Seidl - Director
- Theatrical Trailer
Reviews
Missing ... is any real feeling of compassion towards these forlorn individuals, any sense of the humanity that lies beneath the grotesque façades.
Dark, probing, and truly disturbing, Seidl's astonishing feature debut explores angst, anomie, and alientaion in Vienna's upscale suburbs in visually audacious mode that goes beyond Todd Solondz and Todd Haynes.
Stylistically void, intellectually vapid, narratively coarse, and exploitative of its actors in the worst possible way, the film is an abject failure on every level.
Oddly compelling, disturbing -- some might say disturbed -- look at suburban life, Austrian style.
Mosaic filmmaking at its most irresolute... [its few affecting] moments are antiseptic, sealed off from any larger relatable context or emotional arc.
Those who know that human beings are more than just the sum of their worst impulses ... will wonder where the rest of the story went.
'People can be so cruel,' one character says after finding a poisoned animal. Judging by Dog Days, so can movie directors.
What some detect as cruelty in Dog Days is in fact a bleak but deeply felt humanism -- a yearning that we might all learn to better love our neighbors and, perhaps more importantly, ourselves.
A masterpiece of misanthropy...an uncompromisingly bleak reverie on human misery and meanness.
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