A lighthearted, determinedly independent romp.
Dogma (1999)
Runtime: 2 hrs 13 mins
Synopsis: Imaginative theology and a bigger than usual budget make Kevin Smith's fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. The plot is set in motion by two banished angels, Loki (Matt Damon) and Bartleby (Ben Affleck). After a few... Imaginative theology and a bigger than usual budget make Kevin Smith's fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. The plot is set in motion by two banished angels, Loki (Matt Damon) and Bartleby (Ben Affleck). After a few millenia in Wisconsin, they've discovered a loophole in Catholic doctrine that would allow them back into heaven--but prove the fallibility of God and destroy the universe. Unaware of the peril, they make their way to New Jersey to receive a plenary indulgence. Meanwhile, God has dispatched a seraphim (Alan Rickman) to recruit lapsed-Catholic Bethany (Linda Fiorentino) to stop the angels. She finds help in muses, prophets (Jay and Silent Bob), and the forgotten 13th apostle, Rufus (Chris Rock). Before long, all hell breaks loose (literally), and God (Alanis Morrisette) has to put in an appearance of her own. The success of the film is in the juxtaposition of Smith's trademark acerbic attitude and witty dialogue against the enormous canvas of Christian iconography and apocalyptic conflict. [More]
Genre: Comedies
Starring: Matt Damon, Ben Affleck, Linda Fiorentino, George Carlin, Salma Hayek
DVD Info
Release:
Aug 5, 2009
UMD Features:
- Anamorphic Widescreen - 1.78
Audio:
- Dolby Digital 2.0 - English
- Subtitles - English, Spanish
Reviews
Too talky, too fond of in-jokes, too caught up (especially during the dismally weak climax) in its crass comic-strip ethos, and not, finally, as funny, subversive or thought-provoking as it would like to be.
As an ambitious and overreaching break with Smith's provincial milieu Dogma is a failed experiment, but a noble failure.
If this is [Smith's] one 'message' movie, let's hope he has got it off his chest.
Smith's comic allegory is overlong and confused, but his move from indie to mainstream deserves at least some credit.
I recommend it anyway, for the way it kids around with the finer points of a religion while embracing its high ideas.
A very vulgar pro-faith comedy rather than a sacrilegious goof, Dogma is an extraordinarily uneven film that significant cutting might be able to transform into a playable one.
Make no mistake, Kevin Smith's talky, farcical comedy of cosmic errors is clever. But it's clever in a deeply juvenile way.
I couldn't care less whether Smith's metaphysical conceits about the war between Good and Evil are those of a devout believer or an atheist. The bottom line is that they're puerile.
What you hear throughout Dogma, liberally peppered with the usual prankish profanities, is Kevin Smith having a conversation with himself about his faith.
It's push-the-envelope coarse, thematically ambitious, and -- most dangerously -- self-consciously respectful and thoughtful on matters of faith and religion.
It is thoughtful and funny but less than satisfying. Smith took on a bit too much, but I laud the effort.
a surprisingly tender and humane movie that seems touchingly confident of God's sense of humor and infinite patience
An irreverant comedy about finding God that has no qualms about making fun of itself and its subjects.
The film takes aim at so many contemporary targets and with such gusto that you fear each time you laugh you might be missing another wonderful line.
Jumping on the pre-millennium, end-of-the-world hype, Smith has chosen an opportune time to take a satirical and witty look at the shortcomings of organized religion.
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