Chilling but moving classic of British cinema.
Don't Look Now (1974)
Runtime: 1 hr 50 mins
Synopsis: Nicolas Roeg's third film--after the brash PERFORMANCE (1970) and meditative WALKABOUT (1971)--is a haunting thriller that confirmed the director's status as a true visionary. Based on a story by Daphne Du Maurier, DON'T LOOK NOW follows a grieving English couple to Venice, where the past... Nicolas Roeg's third film--after the brash PERFORMANCE (1970) and meditative WALKABOUT (1971)--is a haunting thriller that confirmed the director's status as a true visionary. Based on a story by Daphne Du Maurier, DON'T LOOK NOW follows a grieving English couple to Venice, where the past continues to plague them. John Baxter (Donald Sutherland) and his wife Laura (Julie Christie) are in mourning for their young daughter, who drowned tragically near their home. John takes a job in Venice so that the couple can leave the past behind, but, unfortunately, the past is not easily forgotten. While John begins to see unsettling visions of a young girl in a red coat running through the Venice streets, Laura learns from an elderly psychic that her husband is in grave danger. What follows is an eerie, erotic mystery that builds to a shockingly horrific climax. DON'T LOOK NOW is one of the most daring and influential motion pictures of the 1970s. From Pino Donaggio's atmospheric score to Graeme Clifford's elliptical editing (exemplified in the film's notorious sex scene), Roeg's film is a stylistic achievement. Sutherland and Christie are their typical phenomenal selves playing the bereaved, devastated couple. [More]
Genre: Horror/Suspense
Starring: Donald Sutherland, Julie Christie, Hilary Mason
DVD Info
Release:
Mar 9, 2002
DVD Features:
- Region 1
- Keep Case
- Widescreen
Audio:
- Dolby Digital Mono - English, French
- Subtitles - English - Optional
Additional Release Material:
- Original Theatrical Trailer
Interactive Features:
- Interactive Menus
- Scene Selection
Reviews
With Sutherland and Christie in fine form it all adds up to one of Roeg's finest films and an undeniably key work in British cinema.
One of the definitive mystery chillers of all time. Poignant, beautiful and devastating.
A natureza onírica e labiríntica do filme é bem representada por Veneza, criando um clima de constante inquietação, mas a direção soa datada e o roteiro não consegue fugir das convenções do gênero, desperdiçando a ótima dinâmica do casal principal.
This British-Italian suspenser, in which the horror gets to one almost subliminally, as in Rosemary's Baby, is superior stuff.
Not only do you probably have better things to do, but so, I'm sure, do most of the people connected with the film.
The viewer is left with the question of which of John Baxter’s aphorisms to believe: “Seeing is believing” or “Nothing is what it seems.”
Related Forums

by: REEL_REVIEWER 10/11/05

by: REEL_REVIEWER 10/11/05

by: REEL_REVIEWER 10/11/05

by: REEL_REVIEWER 10/11/05
News
posted by Scott Weinberg June 28, 2005
The Hollywood Reporter brings news of yet another remake that's on the way. Producer Mark Gordon ("Saving...
posted by Scott Weinberg April 25, 2005
Horror maven Wes Craven ("Scream," "Cursed") will executive produce the indie thriller...


Top Critic