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Movies / On DVD / Dot the I
Dot the I

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Dot the I (2005)

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Reviews Counted:59

Fresh:15

Rotten:44

Average Rating:4.6/10

Consensus: dot the i starts out as a standard love triangle, but last minute revelations turn the movie into a gimmick.

Runtime: 1 hr 32 mins

Genre: Romance, Music (General), World Music

Synopsis: dot the i, a romantic thriller with a dark comedic twist, stars Gael García Bernal, who shot to fame in AMORES PERROS (Best Actor, Cannes Semaine de la Critique), Natalia Verbeke and James D'Arcy.... dot the i, a romantic thriller with a dark comedic twist, stars Gael García Bernal, who shot to fame in AMORES PERROS (Best Actor, Cannes Semaine de la Critique), Natalia Verbeke and James D'Arcy. García Bernal, also known for his role in Y TU MAMÁ TAMBIÉN, can currently be seen in THE MOTORCYCLE DIAIRES, Golden Globe nominee for Best Foreign Film. Natalia Verbeke has recently starred in the Oscar®-nominated SON OF THE BRIDE (EL HIJO DE LA NOVIA) and the BAFTA® awardwinning JUMP TOMORROW. Rounding out the cast is James D'Arcy, known for his role in Peter Weir's MASTER AND COMMANDER. dot the i is the debut feature from director Matthew Parkhill, an award-winning novelist and screenwriter. A sexy love triangle forms on the eve of her wedding when Carmen (Verbeke) recklessly kisses an attractive stranger named Kit (García Bernal). Having recently fled a violent and volatile relationship in Spain, Carmen has found comfort and safety with her adoring fiancé Barnaby (D'Arcy); but her passions are aroused by one kiss from Kit and she is immediately torn between her emotions and her loyalty to the man she is to marry. Carmen's journey teaches her that things, and people, are never quite what they seem. This thrilling tale toys with illusion and reality, passion and artifice, and takes audiences on a suspenseful race through the streets of London. dot the i, an Arcane Pictures / Summit Entertainment Production filmed entirely on location in London, is produced by Meg Thomson and George Duffield. Summit Entertainment financed the picture and handles worldwide sales and distribution, with the exception of Spain. Alquimia Cinema is the Spanish co-producing partner. -- © Summit Entertainment [More]

Starring: Gael Garcia Bernal, Natalia Verbeke, James D'Arcy, Charlie Cox

Starring: Gael Garcia Bernal, Natalia Verbeke, James D'Arcy, Charlie Cox, Tom Hardy

Director: Matthew Parkhill

Director: Matthew Parkhill
Screenwriter: Matthew Parkhill
Producer: David Garrett, Erik Feig, Patrick Wachsberger
Composer: Javier Navarrete
Studio: Summit Entertainment

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Reviews for Dot the I

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1 - 20 (sorted by critic A-Z; UK critics are listed first)
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Full Review Source: Time Out | comment Comment
06/24/06
Time Out
Top Critic Icon Top Critic

Like the fire trucks that can't quite reach the burning building, there are a lot of good ideas racing toward Dot the I, and ... they ... can't ... quite ... get ... there. Besides, the movie is intent on self-immolation.

Full Review Source: Newsday | comment Comment
03/31/05
John Anderson
John Anderson
Newsday

'Un filme inteligente y perfectamente bien estructurado en el que nada es lo que parece'

Full Review Source: Moviola | comment Comment
01/09/04
Jorge Avila Andrade
Jorge Avila Andrade
Moviola

So in love with its own inventions and convolutions that it ignores all plausibility and audience acceptance.

Full Review Source: Austin Chronicle | comment Comment
06/25/05
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

While Parkhill's filmmaking remains almost hypnotic throughout, the increasingly nonsensical manipulations doom Dot the I to being a deftly made blunder.

Full Review Source: SPLICEDWire | comment Comment
03/23/05
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

Here's something you don't find everyday! An original film superbly acted!

Full Review Source: Blunt Review | comment Comment
03/11/05
Emily Blunt
Emily Blunt
Blunt Review

It plays like the last paragraph of one of those Encyclopedia Brown stories, where the solution is an unknown twin brother or the wrong-sized footprint.

Full Review Source: Denver Post | comment Comment
04/15/05
Michael Booth
Michael Booth
Denver Post

the film becomes entirely meta-fictional and I simply gave up caring

Full Review Source: Filmcritic.com | comment Comment
04/16/05
Keith Breese
Keith Breese
Filmcritic.com

Barnaby's game -- or, rather, director Parkhill's -- is, at best, a draw.

Full Review Source: Cinema Signals | comment Comment
03/02/05
Jules Brenner
Jules Brenner
Cinema Signals

While the plot whirls around with a number of deft twists and deepens into darker layers, the story is emotionally uninvolving.

Full Review Source: Hollywood Reporter | comment Comment
01/20/04
Duane Byrge
Duane Byrge
Hollywood Reporter
Top Critic Icon Top Critic

[a] gimmicky love triangle...an okay enough exercise, but has no emotional reverb

Full Review Source: Reeling Reviews | comment Comment
03/19/05
Laura Clifford
Laura Clifford
Reeling Reviews

Inflicts great pain on the audience by wringing its plot into a bruised and pulpy mass.

Full Review Source: Minneapolis Star Tribune | comment Comment
04/21/05
Colin Covert
Colin Covert
Minneapolis Star Tribune

Dark, funny, quite a thriller... It's a forgettable title (that doesn't work in English), but you won't forget the wicked fun of the movie.

Full Review Source: TheMovieChicks.com | comment Comment
04/15/05
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

Dot the I doesn't suffer from a lack of skill. Rather it becomes a lesson in the pitfalls of moviemaking that runs on cleverness and too little else.

Full Review Source: Denver Rocky Mountain News | comment Comment
04/15/05
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News

The movie not only scatters undotted Is and uncrossed Ts in its wake, but unsquared circles, unfactored primes, unrisen souffles and unconsummated consummations.

Full Review Source: Chicago Sun-Times | comment Comment
04/14/05
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

The result is funny in its way, and in line with the movie references throughout, but ultimately the viewer is not left with the necessary pathos.

Full Review Source: Boxoffice Magazine | comment Comment
04/27/03
Annlee Ellingson
Annlee Ellingson
Boxoffice Magazine

If you find dense, self-conscious mystification decorated with all kinds of fashionable postmodern gimmicks more than a bit annoying, best to look elsewhere.

Full Review Source: Dallas Observer | comment Comment
04/23/05
Bill Gallo
Bill Gallo
Dallas Observer

A curious mélange that works more often than not.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
05/20/05
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

While stylishly done, Parkhill's script isn't nearly as clever as he thinks it is, and the sucker punch near the end lacks, well, punch.

Full Review Source: Atlanta Journal-Constitution | comment Comment
04/28/05
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution

Dot the I is no different than the “emotional snuff film” it pretends to condemn, wiping out human emotion in favor of soulless twists.

Full Review Source: Slant Magazine | comment Comment
06/17/04
Ed Gonzalez
Ed Gonzalez
Slant Magazine
 
 
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