If you like your dialogue hardboiled, your lighting shadowy, and your femmes fatales preposterously evil, then look no further: Billy Wilder's 1944 adaptation of James M Cain's insurance-scam novella.
Double Indemnity (1944)
Rated: PG
Runtime: 1 hr 47 mins
Theatrical Release: 11-11-2005
Synopsis: Billy Wilder's classic noir, a familiar brew of lust, larceny, and lethal intentions, stars Fred MacMurray and Barbara Stanwyck as a hot-blooded couple. Framed in flashback, the story is told by the dying Walter Neff (MacMurray), beginning with his first meeting with the seductive Phyllis... Billy Wilder's classic noir, a familiar brew of lust, larceny, and lethal intentions, stars Fred MacMurray and Barbara Stanwyck as a hot-blooded couple. Framed in flashback, the story is told by the dying Walter Neff (MacMurray), beginning with his first meeting with the seductive Phyllis Dietrichson (Stanwyck) during a routine renewal of her husband's car insurance. After some flirtation she arranges a meeting without her husband, where she asks about an accident policy to be bought without her husband's knowledge. Although repulsed by the implications of her suggestions, his obsession with Phyllis leads Neff to contemplate the possibility of finding a way to kill her husband while making his death look like an accident. After she comes to his apartment, the insurance salesman finally agrees to become involved in the murder, and the two of them begin methodically working out the details. After they dispose of Dietrichson, Neff learns more than he wanted about Phyllis' unsavory past, but realizes he's now too involved to extricate himself. He's also concerned about his a boss, Barton Keyes (Edward G. Robinson), an omniscient insurance investigator who has taken over the case. DOUBLE INDEMNITY is brilliant noir, among the best of the genre, with a byzantine yet utterly plausible plot, stylized hard-boiled dialogue by Wilder and Raymond Chandler, and three terrific performances by Stanwyck, MacMurray, and Robinson. [More]
Genre: Dramas
Starring: Barbara Stanwyck, Fred MacMurray, Edward G. Robinson, Porter Hall, Tom Powers
Screenwriter: Raymond Chandler, Billy Wilder
Producer: Joseph Sistrom
Composer: Miklos Rozsa, Cesar Franck
DVD Info
Release:
Oct 8, 2007
DVD Features:
- Region 1
- 2-Disc Set - Snap Case
- Disc 1: DOUBLE INDEMNITY
- Full Frame - 1.33
Audio:
- Dolby Digital 2.0 Mono - English, Spanish
- Subtitles - English (SDH), French, Spanish - Optional
- Disc 2: Bonus Features
Audio:
- Dolby Digital 2.0 Mono - English
- Subtitles - English (SDH), French - Optional
Additional Release Material:
- Audio Commentary - 1. Richard Schicker - Film Historian
- 2. Lem Dobbs - Film Historian/Screenwriter; Nick Redman - Film Historian
- Featurettes - SHADOWS OF SUSPENSE
- Introduction - Robert Osborne
- Trailers - Original Theatrical Trailer
Reviews
Film noir at its finest, a template of the genre, etc. Billy Wilder in full swing, Barbara Stanwyck's finest hour, and Fred MacMurray makes a great chump.
Wilder trades Cain's sun-rot imagery for conventional film noir stylings, but the atmosphere of sexual entrapment survives.
MacMurray has seldom given a better performance. It is somewhat different from his usually light roles, but is always plausible and played with considerable restraint.
Thanks to DVD, Phyllis will always be there waiting for you. Same chair, same perfume, same anklet, ready to make you wonder what she wonders.
The film is a brilliant collision of evil and the mundane, and one of the reasons viewers respond to it so well is that it makes the mundane seem a little sexier in the resulting debris.
Wilder's direction is crisp and the lighting and cinematography (by John F. Seitz) have become iconic touchstones.
An accepted classic and archetypal film noir, Billy Wilder's Double Indemnity is visually drab and flabby around the edges.
Three superlative perfromances, by Stanwyck, Fred MacMaurray, and Edward G. Robinson (the best of their careers), along with sharp, witty, macabre, and double-entendre dialogue, makes this quintessential noir one of the best Wilder and studio movies made.
Representante máximo do noir, conta com uma trama fascinante, atuações impecáveis, fotografia e direção irretocáveis e, é claro, diálogos inesquecíveis.
Stanwyck, MacMurray and Robinson are superb in classic murder for profit story.
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