Compelling, challenging and irresistibly beautiful, this delicate metaphysical masterpiece only emphasises how much cinema lost through Krzysztof Kieslowski's tragically early death.
The Double Life of Veronique (1991)
Rated: 15
Runtime: 1 hr 37 mins
Theatrical Release: 17-03-2006
Synopsis: Polish director Krzysztof Kieslowski, creator of the masterful THREE COLORS TRILOGY, presents this enigmatic, philosophical drama about duality in the modern world. Weronika (Irene Jacob), a young Polish woman, embraces each aspect of her life with zeal. She has many friendships,... Polish director Krzysztof Kieslowski, creator of the masterful THREE COLORS TRILOGY, presents this enigmatic, philosophical drama about duality in the modern world. Weronika (Irene Jacob), a young Polish woman, embraces each aspect of her life with zeal. She has many friendships, sexual and platonic, and a variety of interests. A serious heart ailment, however, debilitates her periodically, but she refuses to let it hold her back. On her way to a singing contest, she sees a woman who is her spitting image. Weronika tries to catch the look-alike's attention, but fails. The second woman, the French Veronique (Jacob), is also a gifted singer yet she rejects this talent to teach at a primary school. Eventually she, too, senses the presence of another force in her life, but it isn't until Alexandre (Philippe Volter), an artist, appears that she finally recognizes this for certain. Kieslowski's superb film is a lyrical study of the divided but inextricably linked worlds of Eastern and Western Europe, featuring two remarkable, soul-bearing performances by the gorgeous Jacob. [More]
Genre: Foreign Films
Starring: Irčne Jacob, Sandrine Dumas, Aleksander Bardini, Louis Ducreux, Claude Duneton
DVD Info
Release:
Dec 2, 2008
DVD Features:
- Keep Case
- Widescreen - 1.66
Audio:
- Dolby Digital 2.0 Stereo - French, Polish
- Subtitles - English - Optional
Reviews
If Double Life is arguably only half as rewarding as some of Kieslowski's other films, then it remains an indelible entry in an outstanding career.
There are other worlds besides the one we think we see, ones that might have been and still could be, and in these worlds we can be the people whom we hoped we would.
If Kieslowski's overarching metaphors about Weronika/Veronique seem strained, Jacob's sensuous and delicately nuanced performance will double your pleasure.
Though pleasing to the eye, it's not everything we would have hoped for from Kieslowski.
Kieslowski's most lyrical and metaphsical film, with a haunting performance from Irene Jacob, is also one of his most bizarre and enigmatic works--by design.
We see through a glass darkly, and often confusingly, but at least we see.
While this is the film that set the stage aesthetically for Kieslowski's masterful Three Colors trilogy, it is more mysterious than any of those films.


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