An original and utterly unconventional tragedy of fantasy and reality.
Down in the Valley (2006)
Tomatometer
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Reviews Counted:99
Fresh:51
Rotten:48
Average Rating:6/10
Consensus: The premise of Old West clashing with modern suburbia is fresh and initially intriguing, but the second act degenerates into a clumsy jumble of events which strain credibility.
Rated: 15 [See Full Rating] for violence, sexual content, language and drug use.
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:26-05-2006
Synopsis: Director David Jacobsen's DOWN IN THE VALLEY plays like a romantic, operatic lament for the disappearing cinematic and real-life icon: the American cowboy. Many of the elements that would fuse,... Director David Jacobsen's DOWN IN THE VALLEY plays like a romantic, operatic lament for the disappearing cinematic and real-life icon: the American cowboy. Many of the elements that would fuse, say, a classic John Wayne character are present in Edward Norton's (PRIMAL FEAR, 25TH HOUR) character, Harlan Fairfax Caruthers: he's polite, soft-spoken, yet stubbornly brave and handy with Colt steel and lead. While at home in Death Valley in the mid 1800s, these characteristics are positively anachronistic in modern-day San Fernando Valley. How else to explain the reaction of a gaggle of giggling teenagers to Harlan as he pumps their gas? One of the teens, Tope (Evan Rachel Wood), is immediately attracted to these charms and invites Harlan along to the beach. A whirlwind romance follows, much to the chagrin of Tope's (short for October) father, Wade (David Morse), who senses there is more to Harlan than meets the eye. Indeed, things begin to unravel when Harlan lies about "borrowing" a horse from a local rancher that leads to a threat at gunpoint. To make matters worse, Harlan ingratiates himself more by spending time with Tope's attention-starved younger brother, Lonnie (Rory Culkin). Eventually, as more of the dangerous demons beneath Harlan's charming veneer reveal themselves, action must be taken and justice meted out, Old West-style. At times tense and, alternatively, quiet, DOWN IN THE VALLEY features some creative camera work from cinematographer Enrique Chediak that fits both moods. Also, be on the look-out for a scene-long quotation from TAXI DRIVER. [More]
Starring: Edward Norton, Evan Rachel Wood, Bruce Dern, Ellen Burstyn
Starring: Edward Norton, Evan Rachel Wood, Bruce Dern, Ellen Burstyn, David Morse, Rory Culkin, Muse Watson
Director: David Jacobson
Director: David Jacobson
Screenwriter: David Jacobson
Producer: Edward Norton, David Jacobson
Studio: ThinkFilm
Reviews for Down in the Valley
Captures the flavor of a contemporary indie -- courtesy of an innovative auteur and one of our greatest male performers.
A sober and often chilling examination of the conflict between the Old West and the New West.
If the movie isn't exactly satisfying as a whole, it is certainly provocative.
Both a celebration of a time long past and an acknowledgement of the romanticized, whitewashed fantasies of that same past, especially when it's held up to the harsh light of today.
For all Jacobson’s allusions to John Ford archetypes, Badlands and Taxi Driver, he has essentially made a spiritual cousin to The Purple Rose of Cairo.
Both absorbing and unsettling, the performances so good that it's sometimes difficult to abstain from yelling advice at the screen.
Writer/director Jacobson does a masterful job setting the stage for a modern-day western, one in which the protagonist seems to have arrived by teleportation tube from another century.
In the end, it's really just a thriller, slower than most, with pockets of dead time but with a few extra flourishes, too, thanks to Norton.
Dealing with the old Western myth in a suburbanized setting (tract houses chew up the land that Harlan lays claim to romantically), Jacobson has bitten off more than even a proven master could chew and swallow.
A supremely empathic director, Jacobson tunes the emotional frequency of his actors to a heartbreaking pitch.
Down in the Valley isn't the return to '70s filmmaking it aspires to be, but it's an effective primer for young ladies on how to avoid loser guys.
Through these complex, strongly realized characters, Jacobson starkly reveals that the Old West has turned into an illusion for most of us, while remaining a delusion for a dwindling few.
A movie the actors and director take as far as they can until the story bogs down in questions too big to forgive.
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May 07, 2006:
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