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Downtown 81 (1981)
Runtime: 75 mins
Synopsis:
DOWNTOWN 81 is a feature film starring the legendary American artist Jean Michel Basquiat (1960-1988.) Basquiat was a 19 year old painter, graffiti artist, poet and musician when he played the lead in this film, which vividly depicts the explosive downtown New York art and music scene of...
DOWNTOWN 81 is a feature film starring the legendary American artist Jean Michel Basquiat (1960-1988.) Basquiat was a 19 year old painter, graffiti artist, poet and musician when he played the lead in this film, which vividly depicts the explosive downtown New York art and music scene of 1980-81. Basquiat was an important figure on that scene. He had yet to have his first exhibition. But his paintings and words were part of the city landscape. Today, his paintings hang in museums and important collections around the world and he is internationally recognized as one of the most important artists of the late twentieth century.
The film is a day in the life of a young artist who needs to raise money to reclaim the apartment from which he has been evicted. He wanders the downtown streets carrying a painting he hopes to sell, encountering friends, whose lives (and performances) we peek into. He finally manages to sell his painting to a wealthy female admirer, but he’s paid by check. Low on cash, he spends the evening wandering from club to club, looking for a beautiful girl he had met earlier, so he’ll have a place to spend the night.
Basquiat is a natural actor - witty, radiant, the epitome of coolness and artistic exuberance. The cast includes Deborah Harry, and leading bands of the era including Kid Creole and the Coconuts, James White and the Blacks, DNA, Tuxedo Moon, the Plastics, and Walter Steding and the Dragon People. Also heard on the soundtrack are rap legend Melle Mel, John Lurie, Lydia Lunch, Suicide, Vincent Gallo, Kenny Burrell and Basquiat’s own band, Gray.
Downtown 81 not only captures one of the most interesting and lively artists of the twentieth century as he is poised for fame, but it is a slice of life from one of the most exciting periods in American culture, with the emergence of new wave music, new painting, hip hop and graffiti. -- © 2001 Zeitgeist Films
Genre: Dramas
Starring: Jean Michel Basquiat, Debbie Harry, Tuxedo Moon
DVD Info
Release:
Mar 8, 2004
DVD Features:
- Region 1
- Keep Case
- Single Side - Single Layer
- Letterboxed - 1.66
Audio:
- Dolby Digital 5.1 - English
Additional Release Material:
- Audio Commentary - 1. Glenn O'Brien - Screenwriter/Co-producer
- 2. Maripol - Producer
- Featurettes - 1. AFTERTHOUGHTS
Interactive Features:
- Map of New York Locations
Text/Photo Galleries:
- Photo Gallery
- Biographies
Reviews
A film of considerable pleasure, not least the archival footage and evocation of a city and individuals fair brimming with life.
Invaluable because it catches the sights, sounds and moods of a city that are of a bygone era.
It’s not a great film, but rather disjointed as nothing really makes sense. But considering this is the only glimpse one would ever see of Basquiat before he was discovered by Andy Warhol, this film is somewhat of a masterpiece.
A fascinating if fragmented, dreamlike look at the downtown art-music-fashion scene of a yeasty, creative era.
A crudely poetic inventory of the people and places about to rock pop culture.
Performances by DNA and the Plastics alone are worth the price of admission.
Director Edo Bertoglio and writer-producer Glenn O'Brien gave [Basquiat] little to do but walk around and look pretty.
Gives us a glimpse of the city as it was, suggesting that there was something revolutionary, even inspiring, about those days of not-so yore.
a sweet, harmless vision that never quite overcomes the lack of story...
A paean to funky neighborhoods before gentrification and gritty, neon-flecked streets before SUVs.
It captures the youthful excitement of a burgeoning creative movement.
As a piece of cinematic art, this meandering, shambolic film isn't much to speak of, but as a time capsule, it's priceless.
Amateurish in the extreme, the film is a feast of bohemian cliché, bad writing and worse acting.
Doesn't dawdle and, despite some eye-rolling dialogue, is a generally amiable time-trip.
Presents the underground culture and brings its pretentiousness along with it.


Top Critic