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Dr. Akagi (1998)
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Reviews Counted:16
Fresh:15
Rotten:1
Average Rating:7.2/10
Runtime: 2 hrs 8 mins
Genre: Foreign Films
Synopsis: In a remote island village during World War II, the maniacally dedicated Dr. Akagi is known as Dr. Liver because of his tireless efforts to combat hepatitis. However, the Japanese government is... In a remote island village during World War II, the maniacally dedicated Dr. Akagi is known as Dr. Liver because of his tireless efforts to combat hepatitis. However, the Japanese government is reluctant to support his attempts to find a cure because it is busy wasting resources trying to win an unwinnable war. Joined by a Buddhist priest, a morphine-addicted surgeon, a Dutch POW, and a former prostitute who falls in love with him, Akagi comically runs from house call to house call in a race to find a cure on his own. The film is adapted from the novel DOCTOR LIVER by Ango Sakaguchi. Director Shohei Imamura worked on the script with his son Daisuke Imamura, who writes under the name Daisuke Tengan. The film includes several beautiful surrealistic touches, including a battle with a whale that recalls Herman Melville's classic novel MOBY-DICK. In the end, hepatitis turns out to be Akagi's own white whale, deforming his personal relationships and making him forget his primary mission as a physician. [More]
Starring: Akira Emoto, Kumiko Aso, Tomoro Taguchi
Starring: Akira Emoto, Kumiko Aso, Tomoro Taguchi
Director: Shohei Imamura
Director: Shohei Imamura
Reviews for Dr. Akagi
It falls far short of major Imamura works like Vengeance Is Mine and The Ballad of Narayama.
Shohei Imamura is a talented director who has a fondness for anti-authoritarian characters who march to the beat of their own drummer.
Accomplished at expressing the complexities of human nature and emotions, Imamura has captured a sense of timelessness to the extent that we all but forget the time and place.
Confirms for anyone who saw The Eel that here is one of world cinema's great humanists.
A strange farcical comedy results, that is often brilliant and at other times too messy to follow in all the cloudy trails it leads to.
Exquisitely acted and photographed with a true feeling for life in a village largely untouched by Allied bombing.
As lively, irreverent, and bizarrely cheerful as any of Imamura's previous low-life sagas.
It does make [Imamura], in his mid-70's, arguably the youngest-hearted filmmaker in Japan.
Sheer pleasure to watch, Inamura's film is a smallish work about the complexities inherent in simple people dealing with their own epic emotions.
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