It's an amusing, sophisticated movie, true to its times, cheerfully erotic, and played with unselfconscious conviction by its three young actors.
The Dreamers (2004)
Rated: 18
Runtime: 1 hr 55 mins
Theatrical Release: 06-02-2004
Synopsis: Left alone in Paris whilst their parents are on holiday, Isabelle (Eva Green) and her brother Theo (Louis Garrel) invite Matthew (Michael Pitt), a young American student, to stay at their apartment. Here they make their own rules as they experiment with their emotions and sexuality while... Left alone in Paris whilst their parents are on holiday, Isabelle (Eva Green) and her brother Theo (Louis Garrel) invite Matthew (Michael Pitt), a young American student, to stay at their apartment. Here they make their own rules as they experiment with their emotions and sexuality while playing a series of increasingly demanding mind games. Set against the turbulent political backdrop of France in the spring of 1968 when the voice of youth was reverberating around Europe, THE DREAMERS is a story of self-discovery as the three students test each other to see just how far they will go. THE DREAMERS was helmed by Bernardo Bertolucci, whose THE LAST EMPEROR swept the 1987 Academy Awards garnering nine Oscars© including Best Director and Best Picture. It marks his third film shot in Paris, following THE CONFORMIST and the Oscar-nominated LAST TANGO IN PARIS. The screenplay, adapted for the screen from his original novel, is by English author and film critic Gilbert Adair. THE DREAMERS was produced by Jeremy Thomas (BROTHER, SEXY BEAST) who teamed with Bertolucci on THE LAST EMPEROR, THE SHELTERING SKY and LITTLE BUDDHA. THE DREAMERS strikes a personal chord for both Bertolucci and Adair, for although their paths never crossed, they were both living in Paris at the end of the 60s, experiencing the events against which the film is set. Their love of cinema took them to the birthplace of the Nouvelle Vague (New Wave), immersing them in a strong international cinema culture. "There was something magic in the 60s," Bertolucci recalls, "in that we were … well, let's use the word ‘dreaming'. We were fusing cinema, politics, music, jazz, rock ‘n roll, sex, philosophy." The film stars Michael Pitt, recently seen in the award-winning HEDWIG AND THE ANGRY INCH, (and with Sandra Bullock in MURDER BY NUMBERS), Eva Green in her feature film debut, and Louis Garrel, who previously appeared in Yolande Zauberman's LA GUERRE A PARIS. -- © Fox Searchlight [More]
Genre: Dramas
Starring: Michael Pitt, Eva Green, Louis Garrel, Anna Chancellor, Robin Renucci
DVD Info
Release:
Jan 2, 2005
DVD Features:
- Region 1
- Keep Case
- Widescreen - 1.85
Audio:
- Dolby Digital 5.1 - English
- Dolby Surround - French
- Dolby Surround - Spanish
Additional Release Material:
- Audio Commentary - 1. Bernardo Bertolucci - Director, Gilbert Adair - Writer, Jeremy Thomas - Producer
- Featurettes - 1. "The Making of THE DREAMERS"
- 2. "Events of May '68"
- Music Videos - 1. "Hey Joe" (Michael Pitt)
- Trailers - 1. Theatrical Trailers
- 2. Previews
Reviews
Fans of film and gorgeous naked people of either sex will find much here to interest them. But it also has moments that make you want to throw stones.
By far the most engaging aspect of the film is its celebration of cinema.
A ménage-à-trois drama that's watchable but doesn't live up to its Italian director's towering reputation.
Stylish, erotic, forgivably pretentious drama with lashings of explicit sex and strong performances from its three leads.
[A] sex-infused film that touches on all kinds of interesting themes... but never goes anywhere interesting with them.
Operating on several levels, the film is at once a celebration of the sexual revolution and a celebration of cinema as the secular equivalent of religion, when movies mattered and going to the Cinematheque Francaise was like going to church.
...we feel stranded on a soundstage, mummy-wrapped in film studies and bereft of any genuine emotion.
It’s a hot sequence that nudges the boundary of taste, but still manages to come off more as art than porn.
Maybe the worst thing Bertolucci has done is make a good film that is too blithe to distance itself from the offensively precious one it constantly threatens to be.
The cultural revolution reflected in the personal lives of the young people is a distraction. Better to enjoy the movie for the beauty and delight of its love story alone.
Only time will tell if The Dreamers is a great film. I think it is at the least a very good one.
It's all quite soporific, because nothing is at stake and there's no reason to care about these self-absorbed twits.
Bertolucci indulges too much in the great sin of nostalgia, thus reducing the film’s political firepower by washing it in a hazy wave of 'Remember when …'
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