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Drunken Angel (1948)
Runtime: 1 hr 42 mins
Synopsis: In this classic film noir, set in postwar Japan, Toshirô Mifune plays Matsunaga, a tough small-time gangster who takes a bullet during a fight in the slums of Tokyo. He makes his way to the office of Sanada (Takashi Shimura), a disillusioned yet passionate doctor, who treats the wound and, in... In this classic film noir, set in postwar Japan, Toshirô Mifune plays Matsunaga, a tough small-time gangster who takes a bullet during a fight in the slums of Tokyo. He makes his way to the office of Sanada (Takashi Shimura), a disillusioned yet passionate doctor, who treats the wound and, in the process, discovers Matsunaga has an even bigger ailment--tuberculosis. As Sanada hounds Matsunaga into dealing with his disease, the alcoholic physician and the arrogant thug form an uneasy friendship. Meanwhile, Matsunaga's mobster boss, Okada (Reisaburo Yamamoto), is released from prison with aspirations of rejuvenating his rough-and-tumble crew. Once Matsunaga is discovered ill, he's excluded from the gang, leaving him shunned by his peers with a seriously bruised ego. In an act of vengeance, he confronts Okada, leading to a violent standoff that only one man will survive. DRUNKEN ANGEL marks the first major screen role for Mifune, one of Japan's most revered actors. And although Kurosawa had made numerous movies before this production, the director himself recognized it as his first truly distinct and personally satisfying motion picture. Kurosawa skillfully sets the tone by focusing on the seedy elements of the surroundings, and, even more importantly, he lets Mifune run wild as his character simultaneously locks horns with and befriends Shimura's frustrated doctor. In fact, the terrific onscreen rapport between the two actors would later become even more apparent in other Kurosawa films, particularly STRAY DOG and SEVEN SAMURAI. However, the most significant element of DRUNKEN ANGEL is its initial collaboration between Mifune and Kurosawa, arguably the greatest actor-director pairing in cinema history. The fiery yet versatile actor and the master storyteller would go on to make fifteen more remarkable films together. [More]
Genre: Foreign Films
Starring: Takashi Shimura, Toshirô Mifune, Reisaburo Yamamoto, Michiyo Kogure, Chieko Nakakita
Screenwriter: Akira Kurosawa, Keinosuke Uegusa
Producer: Shojiro Motoki
Composer: Fumio Hayasaka
DVD Info
Release:
Jan 11, 2008
DVD Features:
- Keep Case
- Full Frame - 1.33
Audio:
- Dolby Digital 1.0 - Japanese
- Subtitles - English
Additional Release Material:
- Audio Commentary - Donal Richie
- Documentary - The Making of DRUNKEN ANGEL
Text/Photo Galleries:
- Essays by cultural historian Ian Buruma
- Reprint from Kurosawa's "Something Like an Autobiography"
Reviews
Nothing that hasn't been done before in Hollywood, and in many cases better.
Kurosawa's early stylistic experimentations turn a nightclub stopover into a monstrous parody of an American jitterbug dance-off, and when blood gets finally spilled, it's in a slip-and-slide Yakuza frenzy choreographed amid splattered paint.
Considered by many to be Akira Kurosawa's directorial breakthrough, the movie that introduced Kurosawa the artist to the world.
Drunken Angel has also been cited by Kurosawa as the film in which the immature director finally 'discovered' himself. We can all be grateful for that self-discovery.
It marked the first time that Akira Kurosawa directed Toshiro Mifune, but the results are excellent enough that you can see why their collaborations continued for decades.
It's effective in its own right and a fascinating preview of films to come.
Akira Kurosawa's first critical success (1948) is an odd blend of American film noir and Italian neorealism.
News
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