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Movies / On DVD / The Dying Gaul
The Dying Gaul

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The Dying Gaul (2005)

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Reviews Counted:66

Fresh:32

Rotten:34

Average Rating:5.7/10

Consensus: Though it has a fine cast, The Dying Gaul's plot feels calculated and too intellectualized.

Runtime: 1 hr 45 mins

Genre: Dramas

Synopsis: Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological... Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological thriller based on his play of the same name. Part Sunset Boulevard, part Greek tragedy, The Dying Gaul is a tale of lust, power, corruption, betrayal and revenge set in the seductive world of the Hollywood elite. Peter Sarsgaard stars as Robert Sandrich, a fledgling screenwriter who has been living on the fringes, writing spec script after spec script to no avail. His life changes when he is offered a million dollars for his latest and most personal work - "The Dying Gaul," the raw, autobiographical story of the death of his lover. But there's a catch - the studio thinks the project will be much more commercially viable if Robert will only change the dead lover to a woman. Making the offer is Jeffrey (Campbell Scott), a smooth, ruthless and sexually avaricious studio executive who seduces Robert with the intoxicating Hollywood cocktail of power, money and sex. Patricia Clarkson stars as Jeffrey's wife, Elaine, a former screenwriter now ensconced in a Malibu villa with children, a housekeeper, and time on her hands. She brings the grieving Robert into the family fold, drawn by his talent and his pain. When Robert confides that he finds solace, both sexual and emotional, in the ghost-like world of chat rooms, the curious Elaine meets him there anonymously. As their online dialogue unfolds, she discovers that Robert and her husband are having an affair. The shock of that revelation - and the unexpected way she responds - sets off a dangerous series of deceptions, confessions and betrayals. Never sliding into the conventional histrionics of the thriller, The Dying Gaul is infinitely more complex, as the lines between predator and prey, sadist and victim shift and blur. Visually stunning, The Dying Gaul contrasts the dazzling California sunlight that bleaches out the palm-lined movie studios and oceanfront estates with the cold and detached world of cell phones and computers. What emerges is a truly original postmodern Hollywood noir, unsettling, unpredictable and morally explosive. As John Cooper writes in the 2005 Sundance Film Festival program, "Lucas has honed a precise, interlocking plot that exploits his scalpel-sharp irony. The Dying Gaul will push you to the edge of your seat, simultaneously unnerving you with its complexity and frightening you with its believability." --© Hole Digger Studios [More]

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett, Bill Camp, Thomas Jay Ryan

Director: Craig Lucas

Director: Craig Lucas
Screenwriter: Craig Lucas
Producer: Campbell Scott, George Van Buskirk
Composer: Steve Reich
Studio: Strand Releasing

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Reviews for The Dying Gaul

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1 - 20 (sorted by comments; UK critics are listed first)
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Full Review Source: Time Out | comment Comment
06/24/06
Time Out
Top Critic Icon Top Critic

Can you imagine Clark Gable or Humphrey Bogart or Cary Grant or Spencer Tracy unzipping and pulling down their pants, feigning orgasm, self-induced or induced by another man?

Full Review Source: tonymedley.com | comment 1 Comment
10/19/05
Tony Medley
Tony Medley
tonymedley.com

Under Lucas' numbing direction, it's just tragic.

Full Review Source: E! Online | comment Comment
11/04/05
E! Online
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
12/06/05
Boston Phoenix
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N/R

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Full Review Source: St. Louis Post-Dispatch | comment Comment
12/06/05
St. Louis Post-Dispatch
Top Critic Icon Top Critic
N/R

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Full Review Source: AV Club | comment Comment
12/06/05
AV Club
Top Critic Icon Top Critic
N/R

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Full Review Source: Arizona Republic | comment Comment
01/07/06
Arizona Republic
Top Critic Icon Top Critic

This smart, good-looking movie deserves an audience.

Full Review Source: Washington Post | comment Comment
11/04/05
Ann Hornaday
Ann Hornaday
Washington Post

Most of Lucas' dialogue is dead-on and lovely.

Full Review Source: Los Angeles Daily News | comment Comment
11/04/05
Bob Strauss
Bob Strauss
Los Angeles Daily News

Craig Lucas’s film directing debut, and it’s impressive. The film never feels one bit like a stage adaptation. (I had no clue that it was based on a play until the end credits). It’s also visually surefooted.

Full Review Source: Film Threat | comment Comment
04/30/05
Bob Westal
Bob Westal
Film Threat

sex, lies, and screenwriters. Add in guilt, retribution, seduction, massive quantities of manipulation and you get a juicy twisted love story.

Full Review Source: TheMovieChicks.com | comment Comment
11/28/05
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

The crackling, nasty dialogue is entertaining in the way it is in All About Eve or Valley of the Dolls, and the actors are superb, even if Tharthgaard doeth overdue the lithping a bit.

Full Review Source: St. Paul Pioneer Press | comment Comment
11/22/05
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

The film plays for keeps: It hurts and it doesn't back away from messy questions about art, commerce and conscience.

Full Review Source: Dallas Morning News | comment Comment
12/06/05
Chris Vognar
Chris Vognar
Dallas Morning News

I'm not going to spell out the collateral damage, but I found the ending cheap, contrived, and genuinely disgusting.

Full Review Source: Slate | comment Comment
11/18/05
David Edelstein
David Edelstein
Slate

Lucas has a smaller knife, and its edge dulls.

Full Review Source: San Diego Union-Tribune | comment Comment
12/02/05
David Elliott
David Elliott
San Diego Union-Tribune

Sound silly? Well, it is, plus passé (as so many techno-concerned conceits soon become), self-indulgent and nihilistically nasty in tone.

Full Review Source: Film Journal International | comment Comment
03/01/07
David Noh
David Noh
Film Journal International

Just as its title is perfunctorily explained but not truly related, the film lingers at too great a remove.

Full Review Source: ReelTalk Movie Reviews | comment Comment
11/01/05
Donald J. Levit
Donald J. Levit
ReelTalk Movie Reviews

For a story that takes place in chilly, Philadelphia-era Hollywood, it's at least plugged in to the politics of the time.

Full Review Source: Slant Magazine | comment Comment
08/29/05
Ed Gonzalez
Ed Gonzalez
Slant Magazine

Quickly goes downhill, changing into something so dull that even its illustrious cast can't save it.

Full Review Source: ComingSoon.net | comment Comment
11/03/05
Edward Douglas
Edward Douglas
ComingSoon.net

Writer Lucas (Longtime Companion) makes a disapointing directing debut with an overbaked, preposterously plotted noir thriller whose only novelty is a bisexual man

Full Review Source: EmanuelLevy.Com | comment Comment
09/21/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com
 
 
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