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Movies / On DVD / The Dying Gaul
The Dying Gaul

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The Dying Gaul (2005)

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Reviews Counted:66

Fresh:32

Rotten:34

Average Rating:5.7/10

Consensus: Though it has a fine cast, The Dying Gaul's plot feels calculated and too intellectualized.

Runtime: 1 hr 45 mins

Genre: Dramas

Synopsis: Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological... Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological thriller based on his play of the same name. Part Sunset Boulevard, part Greek tragedy, The Dying Gaul is a tale of lust, power, corruption, betrayal and revenge set in the seductive world of the Hollywood elite. Peter Sarsgaard stars as Robert Sandrich, a fledgling screenwriter who has been living on the fringes, writing spec script after spec script to no avail. His life changes when he is offered a million dollars for his latest and most personal work - "The Dying Gaul," the raw, autobiographical story of the death of his lover. But there's a catch - the studio thinks the project will be much more commercially viable if Robert will only change the dead lover to a woman. Making the offer is Jeffrey (Campbell Scott), a smooth, ruthless and sexually avaricious studio executive who seduces Robert with the intoxicating Hollywood cocktail of power, money and sex. Patricia Clarkson stars as Jeffrey's wife, Elaine, a former screenwriter now ensconced in a Malibu villa with children, a housekeeper, and time on her hands. She brings the grieving Robert into the family fold, drawn by his talent and his pain. When Robert confides that he finds solace, both sexual and emotional, in the ghost-like world of chat rooms, the curious Elaine meets him there anonymously. As their online dialogue unfolds, she discovers that Robert and her husband are having an affair. The shock of that revelation - and the unexpected way she responds - sets off a dangerous series of deceptions, confessions and betrayals. Never sliding into the conventional histrionics of the thriller, The Dying Gaul is infinitely more complex, as the lines between predator and prey, sadist and victim shift and blur. Visually stunning, The Dying Gaul contrasts the dazzling California sunlight that bleaches out the palm-lined movie studios and oceanfront estates with the cold and detached world of cell phones and computers. What emerges is a truly original postmodern Hollywood noir, unsettling, unpredictable and morally explosive. As John Cooper writes in the 2005 Sundance Film Festival program, "Lucas has honed a precise, interlocking plot that exploits his scalpel-sharp irony. The Dying Gaul will push you to the edge of your seat, simultaneously unnerving you with its complexity and frightening you with its believability." --© Hole Digger Studios [More]

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett, Bill Camp, Thomas Jay Ryan

Director: Craig Lucas

Director: Craig Lucas
Screenwriter: Craig Lucas
Producer: Campbell Scott, George Van Buskirk
Composer: Steve Reich
Studio: Strand Releasing

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Reviews for The Dying Gaul

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1 - 20 (sorted by critic A-Z; UK critics are listed first)
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N/R

Click to read the article

Full Review Source: Time Out | comment Comment
06/24/06
Time Out
Top Critic Icon Top Critic

Ultimately settles into the whip-smart independent it was meant to be.

Full Review Source: Palo Alto Weekly | comment Comment
11/15/05
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

By the end of the film, relationships have turned so corrosive that the characters leave an ugly aftertaste in the mind of the viewer.

Full Review Source: Austin Chronicle | comment Comment
12/06/05
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

It’s a very poor man’s version of Closer, with four characters chopped down to three, and Peter Sarsgaard and Campbell Scott standing in for Clive Owen and Jude Law.

Full Review Source: FilmStew.com | comment Comment
11/03/05
Kevin Biggers
Kevin Biggers
FilmStew.com

An engrossing psychodrama about Hollywood, sex, and the primal emotions that can drastically change people's lives.

Full Review Source: Spirituality and Practice | comment Comment
09/29/05
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

The one thing Greek tragedy shouldn't desperately want is any kind of catharsis.

Full Review Source: Film Freak Central | comment Comment
12/15/05
Walter Chaw
Walter Chaw
Film Freak Central

Has neither hero nor villain, only humans. Beyond imperfect, they are complicated thinkers, lovers, dreamers, and performers.

Full Review Source: Film Threat | comment Comment
12/06/05
Stina Chyn
Stina Chyn
Film Threat

What’s especially intriguing about The Dying Gaul is the way it causes your sympathies to shift from character to character.

Full Review Source: Film Threat | comment Comment
07/05/05
Stina Chyn
Stina Chyn
Film Threat

Peter Sarsgaard is particularly exceptional in this dark look at art and artifice, but [its] twists may prove too much of a hairpin curve for most.

Full Review Source: Reeling Reviews | comment Comment
11/17/05
Laura Clifford
Laura Clifford
Reeling Reviews

sex, lies, and screenwriters. Add in guilt, retribution, seduction, massive quantities of manipulation and you get a juicy twisted love story.

Full Review Source: TheMovieChicks.com | comment Comment
11/28/05
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

The movie always feels as if it's on the verge of a major discovery. It ends without convincing us that any such discovery has been made.

Full Review Source: Denver Rocky Mountain News | comment Comment
12/02/05
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News

Given the ominous title of both the film and the screenplay-within-the-film, chances seem good that someone will die.

Full Review Source: About.com | comment Comment
11/04/05
Marcy Dermansky
Marcy Dermansky
About.com

Likely to leave many viewers unfulfilled.

Full Review Source: Boxoffice Magazine | comment Comment
04/30/05
Francesca Dinglasan
Francesca Dinglasan
Boxoffice Magazine

Quickly goes downhill, changing into something so dull that even its illustrious cast can't save it.

Full Review Source: ComingSoon.net | comment Comment
11/03/05
Edward Douglas
Edward Douglas
ComingSoon.net

There is some ambiguity about why a final event takes place, and that's all right, but the way in which the movie reveals it is, I think, singularly ineffective.

Full Review Source: Chicago Sun-Times | comment Comment
11/03/05
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

I'm not going to spell out the collateral damage, but I found the ending cheap, contrived, and genuinely disgusting.

Full Review Source: Slate | comment Comment
11/18/05
David Edelstein
David Edelstein
Slate

Lucas has a smaller knife, and its edge dulls.

Full Review Source: San Diego Union-Tribune | comment Comment
12/02/05
David Elliott
David Elliott
San Diego Union-Tribune

If you cut through Lucas’ thickets of self-reflexivity, metaphysical mumbo jumbo and banal potshots at media violence, there are three ace performances here by actors who can elevate and enliven even as mediocre a piece of material as this.

Full Review Source: L.A. Weekly | comment Comment
11/03/05
Scott Foundas
Scott Foundas
L.A. Weekly

Acclaimed playwright Craig Lucas' directing debut is a flawlessly acted adaptation of his own stage play.

Full Review Source: TV Guide's Movie Guide | comment Comment
11/04/05
Ken Fox
Ken Fox
TV Guide's Movie Guide

It proves Lucas, the noted playwright, to be a born filmmaker.

Full Review Source: Entertainment Weekly | comment Comment
11/09/05
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
 
 
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