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Movies / On DVD / The Dying Gaul
The Dying Gaul

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The Dying Gaul (2005)

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Reviews Counted:66

Fresh:32

Rotten:34

Average Rating:5.7/10

Consensus: Though it has a fine cast, The Dying Gaul's plot feels calculated and too intellectualized.

Runtime: 1 hr 45 mins

Genre: Dramas

Synopsis: Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological... Playwright/screenwriter Craig Lucas (The Secret Lives of Dentists, Longtime Companion, Prelude to a Kiss) makes an audacious directorial debut with The Dying Gaul, a fiercely original psychological thriller based on his play of the same name. Part Sunset Boulevard, part Greek tragedy, The Dying Gaul is a tale of lust, power, corruption, betrayal and revenge set in the seductive world of the Hollywood elite. Peter Sarsgaard stars as Robert Sandrich, a fledgling screenwriter who has been living on the fringes, writing spec script after spec script to no avail. His life changes when he is offered a million dollars for his latest and most personal work - "The Dying Gaul," the raw, autobiographical story of the death of his lover. But there's a catch - the studio thinks the project will be much more commercially viable if Robert will only change the dead lover to a woman. Making the offer is Jeffrey (Campbell Scott), a smooth, ruthless and sexually avaricious studio executive who seduces Robert with the intoxicating Hollywood cocktail of power, money and sex. Patricia Clarkson stars as Jeffrey's wife, Elaine, a former screenwriter now ensconced in a Malibu villa with children, a housekeeper, and time on her hands. She brings the grieving Robert into the family fold, drawn by his talent and his pain. When Robert confides that he finds solace, both sexual and emotional, in the ghost-like world of chat rooms, the curious Elaine meets him there anonymously. As their online dialogue unfolds, she discovers that Robert and her husband are having an affair. The shock of that revelation - and the unexpected way she responds - sets off a dangerous series of deceptions, confessions and betrayals. Never sliding into the conventional histrionics of the thriller, The Dying Gaul is infinitely more complex, as the lines between predator and prey, sadist and victim shift and blur. Visually stunning, The Dying Gaul contrasts the dazzling California sunlight that bleaches out the palm-lined movie studios and oceanfront estates with the cold and detached world of cell phones and computers. What emerges is a truly original postmodern Hollywood noir, unsettling, unpredictable and morally explosive. As John Cooper writes in the 2005 Sundance Film Festival program, "Lucas has honed a precise, interlocking plot that exploits his scalpel-sharp irony. The Dying Gaul will push you to the edge of your seat, simultaneously unnerving you with its complexity and frightening you with its believability." --© Hole Digger Studios [More]

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett

Starring: Patricia Clarkson, Campbell Scott, Peter Sarsgaard, Robin Bartlett, Bill Camp, Thomas Jay Ryan

Director: Craig Lucas

Director: Craig Lucas
Screenwriter: Craig Lucas
Producer: Campbell Scott, George Van Buskirk
Composer: Steve Reich
Studio: Strand Releasing

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Reviews for The Dying Gaul

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21 - 40 (sorted by date; UK critics are listed first)
Text View | |< << 1 2 3 4 >> >|
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Has neither hero nor villain, only humans. Beyond imperfect, they are complicated thinkers, lovers, dreamers, and performers.

Full Review Source: Film Threat | comment Comment
12/06/05
Stina Chyn
Stina Chyn
Film Threat

Lucas has a smaller knife, and its edge dulls.

Full Review Source: San Diego Union-Tribune | comment Comment
12/02/05
David Elliott
David Elliott
San Diego Union-Tribune

The movie always feels as if it's on the verge of a major discovery. It ends without convincing us that any such discovery has been made.

Full Review Source: Denver Rocky Mountain News | comment Comment
12/02/05
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News

The Dying Gaul begins with a Herman Melville quote: 'Woe to him who seeks to please rather than appall.' Let them serve not as words of wisdom, but of warning.

Full Review Source: Denver Post | comment Comment
12/02/05
Lisa Kennedy
Lisa Kennedy
Denver Post

sex, lies, and screenwriters. Add in guilt, retribution, seduction, massive quantities of manipulation and you get a juicy twisted love story.

Full Review Source: TheMovieChicks.com | comment Comment
11/28/05
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

[A] combination of pretentiousness and banality...Lucas has wronged not just Clarkson but all of his fine cast--and us along with them.

Full Review Source: One Guy's Opinion | comment Comment
11/27/05
Frank Swietek
Frank Swietek
One Guy's Opinion

[E]xcept for some problems in the middle act, the movie is easy to swallow.

Full Review Source: Minneapolis Star Tribune | comment Comment
11/23/05
Jeff Strickler
Jeff Strickler
Minneapolis Star Tribune

Like minimalist composer Steve Reich's prickly, tense music on the soundtrack, the movie itself is too often too intellectual, experimental and abstract.

Full Review Source: Atlanta Journal-Constitution | comment Comment
11/23/05
Steve Murray
Steve Murray
Atlanta Journal-Constitution

Indiscriminately hostile...

Full Review Source: Film Experience | comment Comment
11/22/05
Nathaniel Rogers
Nathaniel Rogers
Film Experience

The crackling, nasty dialogue is entertaining in the way it is in All About Eve or Valley of the Dolls, and the actors are superb, even if Tharthgaard doeth overdue the lithping a bit.

Full Review Source: St. Paul Pioneer Press | comment Comment
11/22/05
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Lucas' insight into the subtleties of interaction -- and the churning depths that those subtleties suggest -- is of a whole other order than that of most film directors.

Full Review Source: San Francisco Chronicle | comment Comment
11/18/05
Mick LaSalle
Mick LaSalle
San Francisco Chronicle

Scott, Sarsgaard and Clarkson are quietly ferocious with Lucas' mannered dialogue.

Full Review Source: Oregonian | comment Comment
11/18/05
M.E. Russell
M.E. Russell
Oregonian

The movie doesn't completely please, but more disappointing is that it no longer aims to appall, either.

Full Review Source: Boston Globe | comment Comment
11/18/05
Wesley Morris
Wesley Morris
Boston Globe

I'm not going to spell out the collateral damage, but I found the ending cheap, contrived, and genuinely disgusting.

Full Review Source: Slate | comment Comment
11/18/05
David Edelstein
David Edelstein
Slate

Peter Sarsgaard is particularly exceptional in this dark look at art and artifice, but [its] twists may prove too much of a hairpin curve for most.

Full Review Source: Reeling Reviews | comment Comment
11/17/05
Laura Clifford
Laura Clifford
Reeling Reviews

Ultimately settles into the whip-smart independent it was meant to be.

Full Review Source: Palo Alto Weekly | comment Comment
11/15/05
Jeanne Aufmuth
Jeanne Aufmuth
Palo Alto Weekly

It remains entertaining throughout, which is something of an inside joke since the story ridicules films that try too hard to be commercially viable.

Full Review Source: Internet Reviews | comment Comment
11/13/05
Steve Rhodes
Steve Rhodes
Internet Reviews

The Dying Gaul is often wicked fun.

Full Review Source: Seattle Times | comment Comment
11/11/05
Moira MacDonald
Moira MacDonald
Seattle Times

The film lacks bite, power and clarity.

Full Review Source: Seattle Post-Intelligencer | comment Comment
11/10/05
Paula Nechak
Paula Nechak
Seattle Post-Intelligencer

It proves Lucas, the noted playwright, to be a born filmmaker.

Full Review Source: Entertainment Weekly | comment Comment
11/09/05
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
 
 
21 - 40 (sorted by date; UK critics are listed first)
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