Did everyone involved in this botched thriller OD on speed?
Eagle Eye (2008)
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Reviews Counted:169
Fresh:47
Rotten:122
Average Rating:4.7/10
Consensus: Eagle Eye is a preposterously plotted thriller that borrows heavily from other superior films.
Rated: 12A [See Full Rating] for intense sequences of action and violence, and for language.
Runtime: 1 hr 58 mins
Genre: Action/Adventure
Theatrical Release:17-10-2008
Synopsis: D.J. Caruso (TAKING LIVES, DISTURBIA) directs this tale of intrigue that utilizes technology as a character. Jerry Shaw (Shia LaBeouf) is a slacker who works at Copy Cabana--until he returns home... D.J. Caruso (TAKING LIVES, DISTURBIA) directs this tale of intrigue that utilizes technology as a character. Jerry Shaw (Shia LaBeouf) is a slacker who works at Copy Cabana--until he returns home after receiving bad news about his brother to find his apartment filled with incriminating packages, and receives a phone call from a mysterious woman advising him to vacate the premises immediately. Single mom Rachel Holloman (Michelle Monaghan) also finds herself at the mercy of the mystery caller after seeing her young son off on an overnight school trip. Soon, these two strangers find themselves caught in a tangled web, taking directions from the female caller who makes it very clear that if they disobey her, there will be consequences for them and their families. They have no control over the course that's been set in motion. But the real question is, who is making these calls and what is their ultimate goal? Filled with explosive action, car crashes, and high-tech hi-jinx, this thriller moves at breakneck speed. Technology is the co-star here: electronic signs relay the next move to Jerry and Rachel, traffic lights change as needed, and strangers' cell phones ring with directions. The strong supporting human cast includes Billy Bob Thornton as a hard-nosed FBI agent who is investigating LaBeouf for terrorism, and Michael Chiklis as the Secretary of Defense. Rosario Dawson, Ethan Embry, and Anthony Mackie also star in the film, for which Steven Spielberg served as executive producer. LaBeouf remains an interesting young actor, able to move from action sequences to emotional moments with ease, and Monaghan protects her screen son with a mother's ferocity. [More]
Starring: Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Michael Chiklis
Starring: Shia LaBeouf, Michelle Monaghan, Rosario Dawson, Michael Chiklis, Anthony Mackie, Billy Bob Thornton
Director: D.J. Caruso
Director: D.J. Caruso
Screenwriter: Dan McDermott, Travis Wright, John Glenn, Hillary Seitz
Story: Dan McDermott
Producer: Alex Kurtzman, Roberto Orci, Patrick Crowley
Composer: Brian Tyler
Studio: Dreamworks SKG
Reviews for Eagle Eye
Rarely has a film been so serious in its underlying implications and intent, and yet so moronic in its execution.
Even though the political, big-brother-is-watching, conspiratorial aspect of the film tries much too hard, the fast and furious pace of Eagle Eye makes for an entertaining time.
A big, happily implausible blockbuster action movie, and on that level it totally succeeds.
Eagle Eye is a mediocre attempt at suspense that manages to lose all of its dramatic weight at the exact moment it drops its heaviest truths.
Surprisingly flatlines less than it should . . . But 90 minutes after its intriguing opening, Eagle Eye zooms beyond its reassurance that, hey, basically everything's OK post-Patriot Act, folks, to resurrect a Hollywood happy ending from the dead.
A B-movie with higher pretensions, Eagle Eye works best when it concentrates on action.
Eagle Eye's simplistic and colorful contrivance is oddly refreshing in its preposterous exuberance...a transparent treat at best. Thoroughly rollicking and roguish...
Here's a movie line I never thought I'd live to hear: "Somebody is hacking into the automated cranes!" With a line like that, don't look for Kate Winslet and Judi Dench in the credits.
An overcooked, far-fetched, break-neck paced thriller that has plenty of action but little time for anything else
Eagle Eye churns and flails and piles on pointless and improbable complications.
The film is probably twenty minutes too long, and can't seem to decide if its techno-philic or -phobic, but is an otherwise compelling and cogent performance piece for LaBeouf and company.
The scriptwriters are setting a trap, but there's a risk. If they push the capabilities of the unseen female voice too far -- and they do -- they risk our patience. Once you withdraw your willingness to believe, it's hard to get it back.
It has been shot and edited with that hectic, all-too-familiar brand of impressionistic choppiness often used by Hollywood directors to make a silly story unintelligible.
Those that are bothered by shaky camerawork might want to stay home or take Dramamine. Considering how promising the premise was, EAGLE EYE is a major disappointment.
To make barcodes scary, a thriller needs a pace faster than a busy self-scan checkout. Thankfully, there's no need for a price, or pulse, check on this furious, if exhausting, flat-world thriller that Thomas Friedman would appreciate.
Eagle Eye fails to engage the audience into caring much about the characters because you are too busy trying to figure out what the hell is going on.
The story goes from being a paranoid post-9/11 nightmare to being a goofy piece of sci-fi junk.
It's a poor man's 2001: A Space Odyssey and The Fugitive. I actually feel a little dirty naming those two when talking about this one.
Latest News for Eagle Eye
January 07, 2009:
People's Choice Awards Winners Announced
The 35th annual People's Choice Awards were handed out on January 7, 2009. A complete list of film nominees, with winners in bold, follows below. More...
January 03, 2009:
Text messengers beware, in this wireless espionage romp where Frankenstein is a female, and where Billy Bob gets the best line: I'm not going down in history as the asshole who let this happen. ![]()
More...
December 22, 2008:
RT on DVD: LaBeouf It Up With An Eagle Eye Christmas!
'Tis the season for gift-giving, which means home video distributers are making the most of the holiday spirit by adding a few irregular release dates to the shopping week;... More...
October 26, 2008:
InLimerick: Text messengers beware, in this wireless espionage romp where Frankenstein is a female, and where Billy Bob gets the best line: I'm not going down in history as the asshole who let this happen. ![]()
More...
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