Ophüls' penultimate film.
The Earrings of Madame De... (1953)
Runtime: 1 hr 45 mins
Synopsis: MADAME DE... is set in the glittering world of Paris high society in the dizzy days before World War One. Madame de...(it is one of the films running jokes that we never learn her name) is played by Danielle Darrieux, a beautiful, charming woman married to Andre (Charles Boyer) a worldly Army... MADAME DE... is set in the glittering world of Paris high society in the dizzy days before World War One. Madame de...(it is one of the films running jokes that we never learn her name) is played by Danielle Darrieux, a beautiful, charming woman married to Andre (Charles Boyer) a worldly Army General. She is pursued by numerous men in hope of an illicit affair. She doesn't say yes, but never quite says no, preferring, as her suitor Baron Fabrizio (Vittorio De Sica) says, "torture by hope." When she takes off the earrings her husband gave her and sells them in order to pay off a debt, the jeweler sells them back to the General, who gives them to his mistress, who gambles them away. They are unknowingly purchased by Baron Fabrizio, who gives them to Madame de... as a sign of his love. But to wear them she must lie to her husband about how she got them back and to her lover about where they came from. Here, as in LETTER FROM AN UKNOWN WOMAN, Ophüls shows his skill in depicting the world of European society. His sense of staging and camera movement perfectly capture not just the mood and feel of the time, but also the emotions of the characters. [More]
Genre: Foreign Films
Starring: Charles Boyer, Vittorio De Sica, Danielle Darrieux, Jean Debucourt
Reviews
Justifying the superlatives heaped upon it by film-makers and critics alike, this is one of Ophüls' finest achievements, a period drama marked by formal beauty and intense feeling.
The brilliance of "Earrings" is in the precision with which Ophuls carefully strips away all the luxury until what we see is not the extravagance, but the wounded, tragic marriage that the extravagance is meant to hide.
It's powerful stuff, but Ophuls' graceful, gliding camera movements provide a sense of beautiful inevitability.
Evanescence is an integral part of cinema, and no other director captured it as lyrically and yet as savagely as Ophüls.
On one hand, Madame De . . . is all surface and style; on the other, it conveys real loss.
Three good reasons you should see The Earrings of Madame de … are the presence and performances of Danielle Darrieux, Charles Boyer and Vittorio De Sica. This celestial triangle has never been surpassed in grace, charm and, yes, wit and humor.
The tracking shots effortlessly glide down corridors, into rooms, through gardens. They particularly shine during two dancing scenes, where the smooth movements of the partners are echoed by the graceful camera capturing every move in perfect synch.
Like its turn-of-the-century décor and costuming, it is elegant and filled with decorative but basically unnecessary little items, which give it gentility and a nostalgic mood, but nothing much more substantial.
Surely one of the most cruelly tragic, and sublimely funny, melodramas of all time.
One of the most mannered and contrived love movies ever filmed. It glitters and dazzles, and beneath the artifice it creates a heart, and breaks it.
For the five-year period from 1950-55 (shortly before he died), Max Ophuls was arguably the world's greatest filmmaker creating La Ronde, Le Plaisir, Lola Montes, and this masterful study of a tragic, three-cornered romance.
Ophuls's camera style is famous for its physicalization of time, in which every fleeting moment is recorded and made palpable by the ceaseless tracking shots, yet his delineation of space is also sublime and highly charged.
Related Forums

by: REEL_REVIEWER 3/24/07

by: REEL_REVIEWER 3/24/07

by: REEL_REVIEWER 3/24/07

by: REEL_REVIEWER 3/24/07


Top Critic