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Eban and Charley (2000)
Runtime: 88 mins
Synopsis: Eban, a teacher who is 29 years old and gay, returns to his parents' coastal home outside of Seattle for Christmas vacation. Charley is 15. After his mother was killed by a drunk driver, he is sent to live in the same quiet Washington town with his strict military father. Eban and Charley strike up... Eban, a teacher who is 29 years old and gay, returns to his parents' coastal home outside of Seattle for Christmas vacation. Charley is 15. After his mother was killed by a drunk driver, he is sent to live in the same quiet Washington town with his strict military father. Eban and Charley strike up a friendship which becomes physical after young Charley makes the first move. But when both of their families learn of their relationship, they threaten to notify the police--and Eban and Charley are forced to make a tough decision. Director James Bolton's debut feature addresses a difficult subject with moral ambiguity. This shot-on-video film also features music by The Magnetic Fields' Stephin Merritt. [More]
Genre: Dramas
Starring: Brent Fellows, Giovanni Andrade, Ellie Nicholson, Drew Zeller, Pam Munter
DVD Info
Release:
Sep 7, 2002
DVD Features:
- Region 1
- Keep Case
- Widescreen
Audio:
- Dolby Digital Stereo - English
Interactive Features:
- Interactive Menus
- Scene Selection
Reviews
Andrade has a tremulous, faun-like quality which rings true, and Fellows succeeds in making you eventually sympathize with Eban's tortured soul.
[Bolton] undermines his own carefully balanced presentation of the situation by making 29-year-old Eban (Brent Fellows) so creepy.
Preachy and humorless, Eban and Charley shocks only by the quality of its numbing solipsism.
There's not enough judgment being rendered by the filmmaker, who seems happy enough to portray his movie's relationship sympathetically because, after all, these things happen.
Might best be described as preaching to a sparse congregation, or else Mr. Bolton is simply out to bore people into submission.
Bolton could easily have exploited the film's unsettling issues, but he takes a nonsensationalized approach that leaves viewers to decide the moral questions for themselves.
Few things are quite as frustrating as a film that chooses a highly controversial subject then proceeds to give it the kid-glove treatment.
Few people will be able to go along with Bolton's point of view regarding relationships between adults and underage youths, but there's no denying the writer-director, in his feature debut, has avoided sensationalism in telling this story.


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