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Movies / On DVD / The Eel
The Eel

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The Eel (1997)

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Reviews Counted:24

Fresh:18

Rotten:6

Average Rating:7/10

Runtime: 1 hr 57 mins

Genre: Foreign Films

Synopsis: With THE EEL, director Shohei Imamura shows that eels are not just a tasty sushi treat but also a symbol of the human condition. Yamashita (Koji Yakusho) kills his unfaithful wife and turns himself... With THE EEL, director Shohei Imamura shows that eels are not just a tasty sushi treat but also a symbol of the human condition. Yamashita (Koji Yakusho) kills his unfaithful wife and turns himself in to the police. Eight years later he is paroled and must try to find redemption. Setting up shop as a barber, he encounters several unusual characters, including a young man who hopes to attract UFOs and a woman with a troubled past who tries to reel him in with delicious lunch boxes. Yamashita, however, is obsessed with his pet eel, his only companion during his years in prison. In his previous films (THE INSECT WOMAN, BALLAD OF NARAYAMA), Imamura has often suggested the closeness between humans and animals; in THE EEL, he takes the connection one step further, having his main character carry on hilarious dialogues with his pet. Based on the novel YAMI NI HIRAMEKU by Akira Yoshimura, the film marks Imamura's triumphant return to filmmaking after an eight-year break. When the film won the Palme d'Or at the 1997 Cannes Film Festival, Imamura became one of only three directors to have won the honor twice. [More]

Starring: Koji Yakusho, Misa Shimizu, Ken Kobayashi, Fujio Tokita

Starring: Koji Yakusho, Misa Shimizu, Ken Kobayashi, Fujio Tokita, Akira Emoto, Mitsuko Baisho

Director: Shohei Imamura

Director: Shohei Imamura
Screenwriter: Shohei Imamura, Daisuke Tengan, Motofumi Tomikawa
Producer: Hiso Ino

[See More Credits]

Reviews for The Eel

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21 - 29 (sorted by date; UK critics are listed first)
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Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

An oddly affecting and haunting film, thanks to the deliberate pacing and an appropriately enigmatic starring turn by actor Koji Yakusho.

Full Review Source: Deseret News, Salt Lake City | comment Comment
01/01/00
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

If the film stumbles before the climax, perhaps it's because Imamura has inserted too many distracting subplots which somehow feel gauche and overcooked.

Full Review Source: Filmcritic.com | comment Comment
01/01/00
Jeremiah Kipp
Jeremiah Kipp
Filmcritic.com
N/R

Click to read the article

Full Review Source: Chicago Reader | comment Comment
01/01/00
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader

Yakusho and Ms. Shimizu deliver unerring performances in a splendid film that harvests hope from a bleak landscape.

Full Review Source: New York Times | comment Comment
01/01/00
Lawrence Van Gelder
Lawrence Van Gelder
New York Times
Top Critic Icon Top Critic

A beautiful character study -- comedic scenes notwithstanding -- that ends on a hopeful note.

Full Review Source: Jam! Movies | comment Comment
01/01/00
Liz Braun
Liz Braun
Jam! Movies

A flash of quiet brilliance that resonates long after the images have faded from the screen.

Full Review Source: Austin Chronicle | comment Comment
01/01/00
Marc Savlov
Marc Savlov
Austin Chronicle

I was once again stuck watching a movie that's solely about repressed passion, perhaps the least cinematic thing you could ever try to film.

Full Review Source: CNN.com | comment Comment
01/01/00
Paul Tatara
Paul Tatara
CNN.com
Top Critic Icon Top Critic

An alternately poignant and funny film which transcends the limitations of its seemingly ludicrous plot.

Full Review Source: Film Journal International | comment Comment
01/01/00
Richard Porton
Richard Porton
Film Journal International

Although it starts off like a sports car barreling down the highway in high gear, the director shifts into neutral right after the opening credits end and coasts until almost all momentum is lost.

Full Review Source: Internet Reviews | comment Comment
01/01/00
Steve Rhodes
Steve Rhodes
Internet Reviews
 
 
21 - 29 (sorted by date; UK critics are listed first)
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