An oddly affecting and haunting film, thanks to the deliberate pacing and an appropriately enigmatic starring turn by actor Koji Yakusho.
The Eel (1997)
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Reviews Counted:24
Fresh:18
Rotten:6
Average Rating:7/10
Runtime: 1 hr 57 mins
Genre: Foreign Films
Synopsis: With THE EEL, director Shohei Imamura shows that eels are not just a tasty sushi treat but also a symbol of the human condition. Yamashita (Koji Yakusho) kills his unfaithful wife and turns himself... With THE EEL, director Shohei Imamura shows that eels are not just a tasty sushi treat but also a symbol of the human condition. Yamashita (Koji Yakusho) kills his unfaithful wife and turns himself in to the police. Eight years later he is paroled and must try to find redemption. Setting up shop as a barber, he encounters several unusual characters, including a young man who hopes to attract UFOs and a woman with a troubled past who tries to reel him in with delicious lunch boxes. Yamashita, however, is obsessed with his pet eel, his only companion during his years in prison. In his previous films (THE INSECT WOMAN, BALLAD OF NARAYAMA), Imamura has often suggested the closeness between humans and animals; in THE EEL, he takes the connection one step further, having his main character carry on hilarious dialogues with his pet. Based on the novel YAMI NI HIRAMEKU by Akira Yoshimura, the film marks Imamura's triumphant return to filmmaking after an eight-year break. When the film won the Palme d'Or at the 1997 Cannes Film Festival, Imamura became one of only three directors to have won the honor twice. [More]
Starring: Koji Yakusho, Misa Shimizu, Ken Kobayashi, Fujio Tokita
Starring: Koji Yakusho, Misa Shimizu, Ken Kobayashi, Fujio Tokita, Akira Emoto, Mitsuko Baisho
Director: Shohei Imamura
Director: Shohei Imamura
Screenwriter: Shohei Imamura, Daisuke Tengan, Motofumi Tomikawa
Producer: Hiso Ino
Reviews for The Eel
If the film stumbles before the climax, perhaps it's because Imamura has inserted too many distracting subplots which somehow feel gauche and overcooked.
Yakusho and Ms. Shimizu deliver unerring performances in a splendid film that harvests hope from a bleak landscape.
A beautiful character study -- comedic scenes notwithstanding -- that ends on a hopeful note.
A flash of quiet brilliance that resonates long after the images have faded from the screen.
I was once again stuck watching a movie that's solely about repressed passion, perhaps the least cinematic thing you could ever try to film.
An alternately poignant and funny film which transcends the limitations of its seemingly ludicrous plot.
Although it starts off like a sports car barreling down the highway in high gear, the director shifts into neutral right after the opening credits end and coasts until almost all momentum is lost.
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