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MOVIES / ON DVD / ELEVATOR TO THE GALLOWS
Elevator to the Gallows

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Elevator to the Gallows (1957)

95%
100%
89%
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95 %
Reviews Counted: 39 Fresh: 37  Rotten:2 Average Rating: 8.1/10

How does the Tomatometer work?

The Tomatometer measures the percentage of positive reviews from Approved Tomatometer Critics for a certain movie.[-]

Runtime: 1 hr 32 mins

Synopsis: This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well), so they can be... This psychological thriller is imbued with a wonderful Parisian atmosphere and a moody, improvisational score by legendary jazz trumpeter Miles Davis. A beautiful woman, Florence, and her lover, Julien, plan to murder her husband (who happens to be Julien's boss as well), so they can be together. After carefully carrying out the crime, Julien gets stuck inside the elevator when the power is turned off. The film takes off in a number of surprising twists and turns, one of which includes a young couple who steal Julien's car. They take a ride outside the city and kill a German couple in a hotel, a crime the police eventually pin on Julien. However, Jeanne Moreau's performance as Florence wandering around nighttime Paris in a sad, desperate search for her missing lover, with Davis' haunting score in the background, heightens the tension and suspense of the film and reveals the story's emotional core. [More]

Genre: Foreign Films

Starring: Jeanne Moreau, Maurice Ronet, Georges Poujouly

Director: Louis Malle
Screenwriter: Louis Malle, Roger Nimier
Story: Noel Calef
Composer: Miles Davis

DVD Info

Release:

Jan 4, 2008

[DVD Details]

DVD Features:

  • 2-Disc Set
  • Widescreen - 1.66

Audio:

  • Mono - French
  • Subtitles - English

Reviews

 
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1 - 20 (sorted by date; UK critics are listed first)
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A straightforward but classy thriller.

Full Review | comment Comment
02/09/06
Geoff Andrew
Time Out
Top Critic Icon Top Critic
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Louis Malle was just 25 when he made this moody piece of Gallic pulp fiction about a girl, a gun and a broken lift.

Full Review | comment Comment
05/24/03
Jon Fortgang
Channel 4 Film
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4/5

An intelligent thriller that served as an important precursor in the late 1950s to such New Wave classics as Breathless and The Four Hundred Blows.

Full Review | comment Comment
02/20/02
Tom Dawson
BBC
Top Critic Icon Top Critic
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N/A

A stylish noir-ish crime drama boasting, amongst other things, an improvised Miles Davis soundtrack.

Full Review | comment Comment
01/01/00
Keith H. Brown
Edinburgh U Film Society
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Efficient but soulless.

Full Review | comment Comment
04/01/07
Jonathan Rosenbaum
Chicago Reader
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N/A

Elevator to the Gallows is a treat for the film buff. Watching Moreau and Malle as they discover each other and a new trend in filmmaking, and listening to Miles Davis during their quest will remind you of what movies are all about.

Full Review | comment Comment
03/23/07
Marta Barber
Miami Herald
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5/5

It's devilishly clever, bleakly hilarious, and fatalistically romantic throughout, a celebration of grand, doomed gestures made for the sake of making them.

Full Review | comment Comment
11/30/06
Michael W. Phillips, Jr.
Goatdog's Movies
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3.5/4

Made almost 50 years ago, the black-and-white French classic still grabs you by the throat.

Full Review | comment Comment
10/05/06
Chris Hewitt (St. Paul)
St. Paul Pioneer Press
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3.5/4

A suspense thriller with a tense, jazzy score and a rich undercurrent of fatalistic irony.

Full Review | comment Comment
10/05/06
Colin Covert
Minneapolis Star Tribune
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B

Director-writer Louis Malle's first feature at 26 is a stylish French New Wave noir-ish thriller that never satisfies as much as it should.

Full Review | comment Comment
07/06/06
Dennis Schwartz
Ozus' World Movie Reviews
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4/5

Malle has a real knack for showing off the nasty side of humanity

Full Review | comment Comment
05/09/06
Christopher Null
Filmcritic.com
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4.5/5

a perfect hybrid of French noir elegance and the New Wave's rough hewn realism

Full Review | comment Comment
04/20/06
Jay Antani
I.E. Weekly
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A-

Henri Decaë's black-and-white cinematography brings out the melancholy mystery of Paris' boulevards and cafes, and Ms. Moreau, shot with natural lighting and without make-up, is like a mournful goddess of glamour.

Full Review | comment Comment
04/07/06
Chris Vognar
Dallas Morning News
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4/5

It's easy to see why this is a classic. It's got a great story, pacing that keeps you on your toes, decent performances, and a style that's timeless.

Full Review | comment Comment
04/07/06
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com
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3.5/4

"Gallows" was Malle's first film at the age of 24, and you can sense his eagerness to start pushing and kicking at the rigid noir plot structure to see what happens.

Full Review | comment Comment
04/06/06
Rob Thomas
Capital Times (Madison, WI)
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A-

It's got an amazing score by Miles Davis, photography by one of France's best cinematographers and Jeanne Moreau in a cloud of love, pain and desperation.

Full Review | comment Comment
11/11/05
Shawn Levy
Oregonian
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4/4

The plot crackles with energy and misdirection, while the black-and-white film sharpens angles and amplifies the shadows lurking in every hallway.

Full Review | comment Comment
10/14/05
Michael Booth
Denver Post
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B+

The movie's most compelling element of all is Moreau, wandering the nighttime streets trying to find her lover. It's as if she's blown from one cafe to the next on a blended wind of passion, dread and the lonely trumpet wail.

Full Review | comment Comment
09/22/05
Steve Murray
Atlanta Journal-Constitution
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3.5/4

These 1950s French noirs abandon the formality of traditional crime films, the almost ritualistic obedience to formula, and show crazy stuff happening to people who seem to be making up their lives as they go along.

Full Review | comment Comment
09/15/05
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic
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N/A

What turns it fabulous, indeed mythical, is the presence of another entity: Paris at night in the '50s, to the tune of Miles Davis's score as realized in the dappled hues of Henri Decae's gorgeous poetic cinematography.

Full Review | comment Comment
09/09/05
Stephen Hunter
Washington Post
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Related Forums

REEL_REVIEWER
NEW 35mm restoration of Louis Malle's ELEVATOR TO THE GALLOWS opens June 24 in NYC!!!
by: REEL_REVIEWER 3/25/06


REEL_REVIEWER
NEW 35mm restoration of Louis Malle's ELEVATOR TO THE GALLOWS opens June 24 in NYC!!!
by: REEL_REVIEWER 3/25/06


REEL_REVIEWER
NEW 35mm restoration of Louis Malle's ELEVATOR TO THE GALLOWS opens June 24 in NYC!!!
by: REEL_REVIEWER 3/25/06


REEL_REVIEWER
NEW 35mm restoration of Louis Malle's ELEVATOR TO THE GALLOWS opens June 24 in NYC!!!
by: REEL_REVIEWER 3/25/06

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