All of these are rich and resonant because of Crowe’s script, his direction and his ideas.
Elizabethtown (2005)
Tomatometer
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Reviews Counted:164
Fresh:45
Rotten:119
Average Rating:4.6/10
Consensus: This story of a floundering shoe designer who returns home for a family tragedy gets lost in undeveloped plot lines and lackluster performances.
Runtime: 2 hrs 3 mins
Genre: Romance, Theatrical Release
Synopsis: Though it revolves around death, Cameron Crowe's hotly anticipated follow-up to VANILLA SKY is optimistic overall, beaming with the same life-affirming mood as the crowd-pleasers JERRY MAGUIRE and... Though it revolves around death, Cameron Crowe's hotly anticipated follow-up to VANILLA SKY is optimistic overall, beaming with the same life-affirming mood as the crowd-pleasers JERRY MAGUIRE and ALMOST FAMOUS. Promising young shoe-designer Drew Baylor (Orlando Bloom) quickly learns how failure feels when his innovative but foolish design for a winged sneaker becomes the humiliation of the footwear industry. Informed of the magnitude of his mistake, Drew applies his design skills to the task of suicide by duct-taping a knife to an exercise machine. This melodramatic act is interrupted, however, when Drew receives a call from his sister, informing him that his father has died while on a trip to his home town of Elizabethtown, Kentucky. Drew's mother, Hollie (Susan Sarandon), elects him to go deal with the arrangements because he is the "responsible" and "successful" one. The only passenger on his flight, Drew meets Claire (Kirsten Dunst), a perky stewardess, who takes the opportunity to talk his ear off despite his apparent desire for some personal space. Supplying Drew with detailed hand-drawn maps, instructions for how not to get lost, and three phone numbers where she can be reached, Claire tenderly sends him off to confront a town full of relatives he has never met. Once in Elizabethtown, Drew is subjected to relentless family wackiness from people who seem to have known his father better than he did. Meanwhile, he stumbles into a hesitant romance with neurotic but charming Claire, whose anal-retentive wisdom, lust for life, and good taste in music may help Drew come to terms with his newly diminished place in the world--and to see it as possibly a better one. A love story, family drama, and road trip in one, ELIZABETHTOWN boasts another of Crowe's excellent soundtracks, with artists like Tom Petty and Elton John giving the film much of its emotional drive. [More]
Starring: Orlando Bloom, Kirsten Dunst, Susan Sarandon, Alec Baldwin
Starring: Orlando Bloom, Kirsten Dunst, Susan Sarandon, Alec Baldwin, Jessica Biel, Judy Greer, Bruce McGill, Paula Deen, Tom DeVitt, Paul Schneider, Loudon Wainwright, Tom Cruise
Director: Cameron Crowe
Director: Cameron Crowe
Producer: Paula Wagner
Studio: Paramount Pictures
Reviews for Elizabethtown
Elizabethtown is a wonderful comedy/drama about those moments in life when you get lost and have to find your way back again.
Falls short of actual emotional resonance, and is really nothing more than a passable Garden State doppelgänger.
Leaves one adrift on a raft of morose questions. How could this vacuous movie have got made? Didn’t anyone at Paramount, which paid for the film, read the script? And also: What in the world has happened to Cameron Crowe?
Part of the problem lies with Crowe’s script -- which is far and away the most maudlin thing he’s ever written -- and part with his choice of leads.
Cameron Crowe is a romantic at heart and there’s nothing wrong with that.
A full-hearted celebration of both film and music and a skillful homage to the melancholy beauty of life.
Crowe's mood-indigo swing through the Sentimental South, an odd blend of whimsy and overly sentimental Hallmark moments, lacks the entertainment punch of his earlier work.
It’s rich and enjoyable, not unlike a dessert served at a good ol’ southern wake. It may not work for everyone, but for us the map of this film leads to a remarkable journey.
...an advertisement announced a contest that would give the winner a one-week, all expense paid trip to Elizabethtown, Kentucky. Second place is two weeks in Elizabethtown.
Sets an affable mood but is saddled with a slight and pointless story.
Haphazardly mixing comical family situations with witty dialogue and tender, romantic moments, Cameron Crowe loses the focus that distinguished his previous films.
I came out of Elizabethtown with one question: what’s the point? I still haven’t figured that out.
It's a mess, but one that's completely compelling on its own misguided, achingly sincere terms.
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