[A] sometimes engaging but often meandering mishmash of a movie.
Elizabethtown (2005)
Tomatometer
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Reviews Counted:164
Fresh:45
Rotten:119
Average Rating:4.6/10
Consensus: This story of a floundering shoe designer who returns home for a family tragedy gets lost in undeveloped plot lines and lackluster performances.
Runtime: 2 hrs 3 mins
Genre: Romance, Theatrical Release
Synopsis: Though it revolves around death, Cameron Crowe's hotly anticipated follow-up to VANILLA SKY is optimistic overall, beaming with the same life-affirming mood as the crowd-pleasers JERRY MAGUIRE and... Though it revolves around death, Cameron Crowe's hotly anticipated follow-up to VANILLA SKY is optimistic overall, beaming with the same life-affirming mood as the crowd-pleasers JERRY MAGUIRE and ALMOST FAMOUS. Promising young shoe-designer Drew Baylor (Orlando Bloom) quickly learns how failure feels when his innovative but foolish design for a winged sneaker becomes the humiliation of the footwear industry. Informed of the magnitude of his mistake, Drew applies his design skills to the task of suicide by duct-taping a knife to an exercise machine. This melodramatic act is interrupted, however, when Drew receives a call from his sister, informing him that his father has died while on a trip to his home town of Elizabethtown, Kentucky. Drew's mother, Hollie (Susan Sarandon), elects him to go deal with the arrangements because he is the "responsible" and "successful" one. The only passenger on his flight, Drew meets Claire (Kirsten Dunst), a perky stewardess, who takes the opportunity to talk his ear off despite his apparent desire for some personal space. Supplying Drew with detailed hand-drawn maps, instructions for how not to get lost, and three phone numbers where she can be reached, Claire tenderly sends him off to confront a town full of relatives he has never met. Once in Elizabethtown, Drew is subjected to relentless family wackiness from people who seem to have known his father better than he did. Meanwhile, he stumbles into a hesitant romance with neurotic but charming Claire, whose anal-retentive wisdom, lust for life, and good taste in music may help Drew come to terms with his newly diminished place in the world--and to see it as possibly a better one. A love story, family drama, and road trip in one, ELIZABETHTOWN boasts another of Crowe's excellent soundtracks, with artists like Tom Petty and Elton John giving the film much of its emotional drive. [More]
Starring: Orlando Bloom, Kirsten Dunst, Susan Sarandon, Alec Baldwin
Starring: Orlando Bloom, Kirsten Dunst, Susan Sarandon, Alec Baldwin, Jessica Biel, Judy Greer, Bruce McGill, Paula Deen, Tom DeVitt, Paul Schneider, Loudon Wainwright, Tom Cruise
Director: Cameron Crowe
Director: Cameron Crowe
Producer: Paula Wagner
Studio: Paramount Pictures
Reviews for Elizabethtown
[I]f you’re open to the experience, Elizabethtown is one of the sweetest, funniest and better films of the year.
An excruciatingly narcissistic nostalgia trip saturated with writer/director Cameron Crowe’s favorite tunes.
Happy tears, sad laughs, and when it ends, you genuinely miss the characters. Ain't that the best thing you could say about a movie?
Elizabethtown, the movie, quietly nudges us toward the simple -- and important -- things in life. Family, friends, food, music.
... reeks of the same kind of emotional manipulation that sends the average (male) running screaming from the theater.
How sad that Cameron Crowe, the man behind Say Anything and Almost Famous should become so infatuated with whimsy.
Elizabethtown never quite feels like itself, whatever that self might be; it's as if another, subtly but significantly different movie were desperately trying to break through its skin.
To swallow Elizabethtown without experiencing a sharp tummy cramp of disbelief, you have to accept Orlando Bloom as a tormented soul.
This lighthearted meditation on life, death, love and timing contains some genuinely lovely scenes, but they're buried in a shapeless jumble of cutesy-pie vignettes.
Elizabethtown isn't a refuge for the soul, it's a dead end for the senses.
Just the sight of Susan Sarandon tap dancing at a hilarious memorial for her character's dead husband made 'Elizabethtown' worth seeing for me.
Though the film boils over with way too much material, enough kernels of truth and wit emerge to make the film generally worth your time.
What is wrong with Hollywood can be summed up in one word: Elizabethtown. If this is the best the industry can do, they might as well close up shop and move into a field more suited to their talents, like meat-packing.
But as messy, unfocused and rambling as this is, fundamentally flawed as any movie about loss that doesn't let its characters or its viewers feel that loss, it's still a most-enjoyable mess to sit through, a Southern-fried Garden State.
It's a film of chunks that vary wildly in quality, tone and content, and while sometimes that heterogeneity seems lifelike, more often it feels confused and forced.
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