Like most journeys, Elizabethtown could have used a bit more planning; its detours make backseat drivers of us all.
Elizabethtown (2005)
Tomatometer
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Reviews Counted:164
Fresh:45
Rotten:119
Average Rating:4.6/10
Consensus: This story of a floundering shoe designer who returns home for a family tragedy gets lost in undeveloped plot lines and lackluster performances.
Runtime: 2 hrs 3 mins
Genre: Romance, Theatrical Release
Synopsis: Though it revolves around death, Cameron Crowe's hotly anticipated follow-up to VANILLA SKY is optimistic overall, beaming with the same life-affirming mood as the crowd-pleasers JERRY MAGUIRE and... Though it revolves around death, Cameron Crowe's hotly anticipated follow-up to VANILLA SKY is optimistic overall, beaming with the same life-affirming mood as the crowd-pleasers JERRY MAGUIRE and ALMOST FAMOUS. Promising young shoe-designer Drew Baylor (Orlando Bloom) quickly learns how failure feels when his innovative but foolish design for a winged sneaker becomes the humiliation of the footwear industry. Informed of the magnitude of his mistake, Drew applies his design skills to the task of suicide by duct-taping a knife to an exercise machine. This melodramatic act is interrupted, however, when Drew receives a call from his sister, informing him that his father has died while on a trip to his home town of Elizabethtown, Kentucky. Drew's mother, Hollie (Susan Sarandon), elects him to go deal with the arrangements because he is the "responsible" and "successful" one. The only passenger on his flight, Drew meets Claire (Kirsten Dunst), a perky stewardess, who takes the opportunity to talk his ear off despite his apparent desire for some personal space. Supplying Drew with detailed hand-drawn maps, instructions for how not to get lost, and three phone numbers where she can be reached, Claire tenderly sends him off to confront a town full of relatives he has never met. Once in Elizabethtown, Drew is subjected to relentless family wackiness from people who seem to have known his father better than he did. Meanwhile, he stumbles into a hesitant romance with neurotic but charming Claire, whose anal-retentive wisdom, lust for life, and good taste in music may help Drew come to terms with his newly diminished place in the world--and to see it as possibly a better one. A love story, family drama, and road trip in one, ELIZABETHTOWN boasts another of Crowe's excellent soundtracks, with artists like Tom Petty and Elton John giving the film much of its emotional drive. [More]
Starring: Orlando Bloom, Kirsten Dunst, Susan Sarandon, Alec Baldwin
Starring: Orlando Bloom, Kirsten Dunst, Susan Sarandon, Alec Baldwin, Jessica Biel, Judy Greer, Bruce McGill, Paula Deen, Tom DeVitt, Paul Schneider, Loudon Wainwright, Tom Cruise
Director: Cameron Crowe
Director: Cameron Crowe
Producer: Paula Wagner
Studio: Paramount Pictures
Reviews for Elizabethtown
Whether Elizabethtown proves to be Crowe's Johnstown or just a run-of- the-mill flood, it's still a soggy mess.
`Elizabethtown' flounders, flopping about in search of a consistent theme, narrative and even character.
Elizabethtown strikes a note here and there, but does so while remaining tuneless and formless overall.
It's an awfully self-indulgent picture, but Crowe's indulgences pay off beautifully.
It makes you feel truly alive to the possibilities of life. That's an act of magic.
Moments occur in the film’s first hour when Elizabethtown seems poised to take off. But it never quite happens, and the second hour is a total mess.
By the time Elton John sings, 'Soon as this is over, we'll go home,' moviegoers will be way ahead of him.
The trailer for Elizabethtown hits on every major plot point in the film and is roughly 121 minutes shorter. See that instead.
Cameron Crowe's romantic comedy Elizabethtown is a mess, but it's such an amiable, bighearted mess that it manages to remain entertaining even as it's going hopelessly astray.
While the film goes off in a million different directions, it eventually winds up going nowhere.
It's not easy to be life-affirming and satirical in the same breath, and Crowe can't quite manage the job.
Plot development in Elizabethtown comes purely because the script says it must, not because the actors or the story make it seem probable.
The movie feels long and strangely derivative of [Crowe's] other, better work.
Elizabethtown tries to be and do too much and never really goes anywhere.
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