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The Emperor's Club (2002)
Tomatometer
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Reviews Counted:125
Fresh:63
Rotten:62
Average Rating:5.8/10
Consensus: Though Kline is excellent in his portrayal of Hundert, the movie is too dull and sentimental to distinguish itself from other titles in its genre.
Runtime: 1 hr 50 mins
Genre: Dramas
Synopsis: At St. Benedict's prep school, the boys are disciplined, mannered, and ready to learn. But when a bad apple enters the classroom of the well-respected Mr. Hundert (Kevin Kline), chaos ensues.... At St. Benedict's prep school, the boys are disciplined, mannered, and ready to learn. But when a bad apple enters the classroom of the well-respected Mr. Hundert (Kevin Kline), chaos ensues. Sedgewick Bell (Emile Hirsch, DANGEROUS LIVES OF ALTAR BOYS) is a kid with a chip on his shoulder and a powerful senator for a father. He is a shock to the system of Mr. Hundert, whose firm moral standards and unshakeable integrity are genuinely challenged by Sedgewick's eye-rolling, rule-breaking, uncaring insubordination. Determined to change Sedgewick, "mold him," and bring out the strong and true character that he believes to be at the core of every student, Mr. Hundert makes Sedgewick his priority. However, their bond will remain a thorn in Mr. Hundert's side for years thereafter, even beyond his retirement. Based on a short story by Ethan Canin, and directed by Michael Hoffman, THE EMPEROR'S CLUB uses crisp photography and convincing performances to communicate this wholesome tale of honor, morality, and trying to do what's right at all costs. [More]
Starring: Kevin Kline, Emile Hirsch, Steven Culp, Patrick Dempsey
Starring: Kevin Kline, Emile Hirsch, Steven Culp, Patrick Dempsey, Embeth Davidtz, Joel Gretsch, Edward Herrman, Rob Morrow, Harris Yulin, Paul Dano, Jesse Eisenberg, Rishi Mehta, Rahul Khanna
Director: Michael Hoffman
Director: Michael Hoffman
Screenwriter: Neil Tolkin
Producer: Andrew Karsch, Marc Abraham
Composer: James Newton Howard
Studio: Universal Pictures
Reviews for The Emperor's Club
Kline's powerful and even daring portrayal may be wrapped inside a fairly traditional movie, but it's definitely worth seeking out.
The obvious sincerity of director Michael Hoffman and star Kevin Kline doesn't translate to on-screen energy.
Kevin Kline brings all of his considerable charisma and magnetism to the role.
Features an exceptionally strong performance from Kline, an actor who consistently raises the level of nearly every film he's in.
The ill-conceived modern-day ending falls flat where it should deliver a moral punch.
It's hard to believe that this film by Michael Hoffman ... is so humorless, so bloodless, so mawkish, so talky.
What's at stake in this film is nothing more than an obsolete, if irritating, notion of class.
In the spirit of Canin it ought to be, yet director Michael Hoffman and screenwriter Neil Tolkin can't resist converting rumination into plot, then tailoring the plot to the explication of messages they don't trust us to get -- or argue with.
Canin's story is far more effective, but because of its basic premise, The Emperor's Club is more than just another feel-good teacher movie.
Thinking about what the film might have been makes it almost impossible to enjoy the film that is.
Makes some interesting, and doubtless, truthful points about the way a flamboyant, charismatic student frequently draws a teacher's attention away from the reliable workhorses.
Kline gives a beautiful performance, one every bit as moving as Williams' in Dead Poets Society, Robert Donat's in Goodbye, Mr. Chips and Michael Redgrave's in The Browning Version.
Both ploddingly earnest and curiously phony...the surface gloss can't disguise the emptiness of what lies within.
An old-fashioned drama of substance about a teacher's slide down the slippery slope of dishonesty after an encounter with the rich and the powerful who have nothing but disdain for virtue.
A remedial-course version of `Dead Poets Society' that...manages just enough good will of its own.
Kline does a welcome, restrained job as a prof whose ambivalent relationship with his own successful father shades his teacherly relationship with a senator's kid.
This is a thoughtful drama about big ideas, and it makes some moves and says some things that are as unexpected as they are affecting.
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