A particularly joyless, and exceedingly dull, period coming-of-age tale.
Esther Kahn (2002)
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Reviews Counted:24
Fresh:12
Rotten:12
Average Rating:5.5/10
Runtime: 2 hrs 22 mins
Genre: Dramas
Synopsis: Summer Phoenix plays a young woman experiencing a crushing and belated coming of age in the Arnaud Desplechin's psychological period film, ESTHER KAHN. Phoenix is devastatingly opaque as Esther--a... Summer Phoenix plays a young woman experiencing a crushing and belated coming of age in the Arnaud Desplechin's psychological period film, ESTHER KAHN. Phoenix is devastatingly opaque as Esther--a young girl raised among the poor Jewish tailors of London's East End. Her cramped and compromised youth has left her cold and distant, unable to express any emotions. But when she attends a popular theater production, Esther is thunderstruck by the deep feelings that the performance stirs within her and immediately sets out to become an actress. Her quick success brings Esther into the complex and convoluted world of the theater, where she encounters a helpful aging actor (Ian Holm) who, in teaching her how to act, teaches her how to live. Haygard, a perfidious playwright, becomes momentarily captivated by Esther's strange allure and odd blankness, and in addition to becoming her lover, he secures her a prestigious role in a production of Ibsen's HEDDA GABLER. Stunned and shocked when Haygard abandons her on the eve of the play's opening, Esther has a panic-filled and heart-wrenching epiphany, as twenty years worth of unlived life come tumbling down on her. Desplechin's difficult film about a difficult character carries mysterious and compelling emotional impact in its portrayal a woman who missed out on her life. [More]
Starring: Summer Phoenix, Ian Holm, Fabrice Desplechin, Frances Barber
Starring: Summer Phoenix, Ian Holm, Fabrice Desplechin, Frances Barber, Laszlo Szabo, Emmanuelle Devos, Akbar Kurtha, Kika Markham, Anton Lesser
Director: Arnaud Desplechin
Director: Arnaud Desplechin
Screenwriter: Arnaud Desplechin, Emmanuel Bourdieu
Composer: Howard Shore
Studio: Empire Pictures
Reviews for Esther Kahn
if you are an actor who can relate to the search for inner peace by dramatically depicting the lives of others onstage, then Esther's story is a compelling quest for truth.
Attempting to determine whether the offstage trauma that she’s undergoing is genuine or an extreme form of method acting becomes the film’s dramatic crux, and it’s more than enough to hold the viewer’s attention
Confounding because it solemnly advances a daringly preposterous thesis. Acting cannot be acted.
The biggest problem I have (other than the very sluggish pace) is we never really see her Esther blossom as an actress, even though her talent is supposed to be growing.
Ms. Phoenix is completely lacking in charm and charisma, and is unable to project either Esther’s initial anomie or her eventual awakening.
Like its title character, Esther Kahn is unusual but unfortunately also irritating.
The problem is that rather than dramatizing this premise, Mr. Desplechin is content to state it.
It's a lot to ask people to sit still for two hours and change watching such a character, especially when rendered in as flat and impassive a manner as Phoenix's.
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