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Even Dwarfs Started Small (1971)
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Reviews Counted: 8
Fresh: 8
Rotten:0
Average Rating: 7.9/10
Runtime: 1 hr 36 mins
Genre: Foreign Films
Synopsis: Director Werner Herzog's second feature film is a triumph of cinematic irreverence and uncompromising creativity. A cast that's comprised entirely of dwarfs stages an uproarious and chaotic rebellion in a remote and picturesque... Director Werner Herzog's second feature film is a triumph of cinematic irreverence and uncompromising creativity. A cast that's comprised entirely of dwarfs stages an uproarious and chaotic rebellion in a remote and picturesque mountain asylum of undetermined purpose. Shot in harsh yet sumptuous black and white, the film features the upturned idyll of the sanitarium playing host to the erotically obsessed and absurdly acting dwarfs as they create a microcosm of the real world's ridicules. Unforgettable images, such as a group of blind dwarfs wearing oversize darkened goggles while hobbling along a mountain path and a dwarf couple attempting to consummate their relationship by leaping from a stack of magazines onto the conjugal bed, make EVEN DWARFS STARTED SMALL a thoroughly challenging visual experience as well as a compelling allegory for society and its outcasts. As the visual absurdity of the film reaches a sort of slow-motion fever pitch, Herzog's innate humanism injects the seemingly inhuman scenario with a deep pathos that captures viewers' attention as well as sympathy. [More]
Starring: Helmut Döring, Gerd Gickel, Paul Glauer, Erna Gschwendtner
Starring: Helmut Döring, Gerd Gickel, Paul Glauer, Erna Gschwendtner
Director: Werner Herzog
Director: Werner Herzog
Screenwriter: Werner Herzog
Composer: Werner Herzog
Reviews for Even Dwarfs Started Small
Even Dwarfs Started Small eventually is indistinguishable from its Germanic, side-show spectacle, as if it were a movie that had been conceived by the same kind of perverse, uninvolved intelligence that had created the world of the film.
Patient and unrelenting, Herzog stages a total deterioration of narrative logic and social norms, as emblematized by a crucified monkey and a cannibalizing chicken.
There are few films in the director's portfolio as beautifully shot, scored, and composed as this one.
Not a vicious denial of the legitimacy of revolt (as too many critics have charged) but a bitter lament over the disservice revolutionaries do their revolutions.
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