Dukakis has never been better and once again Fitzgerald proves himself to be a filmmaker of unfailing sensitivity, capable of transforming what could have been distastefully flip or overly lachrymose into something humorous but deeply heartfelt.
The Event (2003)
Tomatometer
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Reviews Counted:47
Fresh:20
Rotten:27
Average Rating:5.2/10
Runtime: 1 hr 52 mins
Genre: Dramas
Synopsis: In the mid- to late 1980s, films such as AN EARLY FROST, PARTING GLANCES, and LONGTIME COMPANION began examining the growing AIDS crisis. Thom Fitzgerald's moving THE EVENT shows that AIDS is still... In the mid- to late 1980s, films such as AN EARLY FROST, PARTING GLANCES, and LONGTIME COMPANION began examining the growing AIDS crisis. Thom Fitzgerald's moving THE EVENT shows that AIDS is still a major epidemic that is misunderstood by much of the public. The movie opens with the death of Matt Shapiro (Don McKellar), who was suffering with the disease. An assistant DA, Nick DeVivo (Parker Posey), believes that his death may have been the result of assisted suicide, which is against the law, so she questions Matt's friends and family to get to the truth--without considering the emotional impact her investigation might have on the people involved. With THE EVENT, Fitzgerald has made more than just an AIDS film; he has delved into the very nature of death and choice. Olympia Dukakis is outstanding as Lila, Matt's mother, who first has to come to terms with her son's illness and then his death. Sarah Polley and Joanna P. Adler are excellent as Matt's sisters, who have very different feelings about his demise. The film was shot on location in Chelsea in New York City and includes an emotional scene on the Staten Island Ferry, with the Statue of Liberty in the background, as Lila tosses Matt's ashes into the ocean. Although the film is set in recent years, it has a 1980s look to it, harkening back to the days of the first AIDS-related films when the disease just started to become recognized by the society at large. [More]
Starring: Olympia Dukakis, Parker Posey, Sarah Polley, Don McKellar
Starring: Olympia Dukakis, Parker Posey, Sarah Polley, Don McKellar, Jane Leeves, Brent Carver, Cynthia Preston, Richard Latessa, Joanna P. Adler
Director: Thom Fitzgerald
Director: Thom Fitzgerald
Screenwriter: Thom Fitzgerald, Steven Hillyer, Tim Marback
Producer: Bryan Hofbauer
Composer: Christopher Beck
Studio: ThinkFilm
Reviews for The Event
A sensitive and uplifting look at the reality of living while dying from AIDS.
Purports to be a life- affirming celebration of a dying AIDS victim's last days, but soporific direction and awkward line readings paradoxically give it the air of a funeral dirge.
The mother-son relationship between Dukakis and McKellar is both believable and very moving.
It's really not worth paying the full price for a ticket at an art house.
The movie feels like a nineties' artifact, less the AIDS-crisis wake-up call it purports to be than a melodramatic free ride.
A touching tribute to a community celebrating life in the face of tragedy and death.
Jumping between savage satire and cloying after-school specials, this shifty picture suffers right from the first false moments.
Invites too many characters to play, some of them one-note, and weighs down the whole affair with a detective-style framework.
The Event is an AIDS drama featuring Olympia Dukakis in a stirring performance.
Doesn't have the ring of truth to it at all and the forced plot setup is dragged down still further by Parker Posey's flat and unconvincing performance.
Fifteen years after winning an Oscar for Moonstruck, Olympia Dukakis strikes gold once again as the matriarch of a New York family devastated by AIDS.
The topic is thought-provoking, the flashback-based structure is interesting, and there are surprising twists near the end. But there's also an overdose of sentimentality that badly dilutes the picture's impact.
It feels weirdly dated and disconnected, as it attempts to graft the events of recent years onto an '80s culture that has gone with the wind.
Fitzgerald wants it all -- he means to rub our noses in the sordid details of dying from AIDS, which is fair enough, but he also wants to romanticize it to the hilt and endear both his characters and himself to us.
Plays like a cross between Longtime Companion and the worst-ever episode of Law & Order.
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