The dialogue is on-the-nose and its lessons are pedestrian, but the film remains a “working poor-trait” of poignancy and grace due to Addie Land's unself-conscious turn.
Evergreen (2004)
Tomatometer
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Reviews Counted:36
Fresh:16
Rotten:20
Average Rating:5.7/10
Runtime: 86 mins
Genre: Dramas
Synopsis: A teen coming-of-age drama set in the the Northwestern US, EVERGREEN is a "grass is always greener" story. Henri (Cara Seymour) is a 14-year-old girl whose mom doesn't have much money. Her friend... A teen coming-of-age drama set in the the Northwestern US, EVERGREEN is a "grass is always greener" story. Henri (Cara Seymour) is a 14-year-old girl whose mom doesn't have much money. Her friend Chat (Noah Fleiss), on the other hand, comes from a family that has plenty. Though at first she envies Chat, Henri eventually learns some valuable lessons about appreciating her own situation. [More]
Starring: Cara Seymour, Mary Kay Place, Noah Fleiss, Gary Farmer
Starring: Cara Seymour, Mary Kay Place, Noah Fleiss, Gary Farmer, Lynn Cohen, Bruce Davison
Director: Enid Zentelis
Director: Enid Zentelis
Screenwriter: Enid Zentelis
Producer: Enid Zentelis, Eva Kolodner, Norma Jean Straw
Composer: Patricia Sansone, John Stirrat
Reviews for Evergreen
Newcomer Land is a find, performing with guileless naturalism and resilient dignity.
Although Zentelis doesn't always nail the strange rhythms of real life, she does show that she's on the right track.
Told with a tender vigor, the film explores relationships on a number of levels.
A solid, affectionately told drama, at times wavering the line of excellent, that only disappoints when it doesn't add up to the fully-realized catharsis it is aiming for.
Though the acting is tentative at times, with performances not quite landing on the same page, Evergreen is a compassionate slice of Pacific Northwest misery.
Zentelis sees these people as essentially well-meaning and cares for them so deeply that the feeling is contagious. She has an unpretentious, effortless style and is highly skilled with her first-rate cast.
Zentelis' affection for her characters and the clear-eyed honesty of her storytelling glides us through any unsubtleties.
The script is sometimes awkward and over-reaching, but it is helped a great deal by the natural but sensitive performances, especially Gary Farmer.
This modest coming-of-age story eschews poor-little- poor-girl emotionalism in favor of carefully observed moments that slowly build in power.
Serves as a small, heartfelt corrective to all the tween fantasies being sold this year.
Only the performances keep the film out of After School Special territory.
It's a rare film that's about social class in American life, and Bellingham writer-director Enid Zentelis explores its hidden structure and silent barriers in a novel, subtle way that makes its points without hitting us over the head with them.
For all kind and admirable reasons, Zentelis wants to portray America's working poor, but she only gets deep enough to pity them.
While the film has striking moments, it feels padded with events that seem freighted with narrative weight but end up not mattering at all to the story.
It's a shame, because this could have been one of those little movies that made you feel so much for a young girl's struggle to find her place - this didn't.
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