A brave bid to recreate a modern American tragedy, with a revelatory turn by its lead actress.
Factory Girl (2007)
Tomatometer
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Reviews Counted:110
Fresh:20
Rotten:90
Average Rating:4.7/10
Consensus: Despite a dedicated performance by Sienna Miller, Factory Girl delves only superficially into her character, and ultimately fails to tell a coherent story.
Theatrical Release:16-03-2007
Synopsis: Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the... Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the enchanting, enigmatic Edie, offering a moving characterization of the extremely troubled model/actress. The film kicks off as Edie, the daughter of a well-to-do horse rancher, leaves art school and moves to Manhattan in the mid-'60s. Her friend Chuck Wein (Jimmy Fallon) introduces her to Andy Warhol (Guy Pearce), and Andy is immediately taken with the waifish, wealthy Edie. He welcomes her into his Factory, the silver aluminum-foil covered loft where an assortment of artists and oddballs assisted him with his projects. Edie quickly falls into the hard partying, drug-addled scene, starring in Andy's experimental films and becoming his constant companion. She becomes well-known for her unique style, and the fashion industry taps her as its very first "It" girl. Edie is flying high on Andy, speed, and stardom, when she happens to meet the Bob Dylan-esque "Folksinger" (Hayden Christensen). She falls in love with him, and in doing so, falls out of Andy's favor. Her drug addiction spirals out of control, her parents cut off her cash flow, and her very bright star seems to burn out almost as quickly as it rose. As with most biopics, people are sure to quibble over the accuracy of FACTORY GIRL, and whether it offers fair portrayals of so many larger-than-life cultural icons. However, viewers are sure to agree that it makes a poignant statement about the pitfalls of fame. When Warhol tells Edie's mother that her daughter is going to be "super famous", Mrs. Sedgwick coldly responds: "And what exactly would be the value of that?" Judging from the very tragic, short life of Edie, there wasn't much value in it at all. [More]
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon, Peter Bogdanovich, Beth Grant, Illeana Douglas, Mary-Kate Olsen, Mena Suvari, Tommy Perna, Samantha Maloney, Captain Mauzner, Daniel Newman, Don Novello, Tara Summers, Alexi Wasser, Colleen Camp
Director: George Hickenlooper
Director: George Hickenlooper
Screenwriter: Captain Mauzner
Producer: Aaron Richard Golub, Bob Weinstein, Harvey Weinstein
Screenwriter: Captain Mauzner
Story: Simon Monjack
Screenwriter: Aaron Richard Golub
Studio: Weinstein Company
Reviews for Factory Girl
Kudos to Miller for her touching portrayal of a doomed icon. A shame the film’s as substantial as one of Warhol’s silver flotations.
Sienna Miller guarantees herself a bit more than 15 minutes with a strong performance in an otherwise dazed and confused film.
It’s Sienna Miller’s star that shines brightest in this heartbreaking cautionary tale.
Spoilt, rich, posh, vacuous and fame-obsessed - who better to play Edie Sedgwick? If she's acting or not, Miller is brilliant. Just a shame the film is so shallow too.
Sienna Miller brings bright eyes and shapeshifting commitment to a script that doesn't always deserve it.
Miller is a genuine surprise as the damaged star. But the film leaves her very much as it finds her: a clueless naive.
Sienna Miller is perfectly cast but the script barely scratches the surface and you never really get inside any of the characters.
Edie Sedgwick's story is sad, but never appears important or interesting.
A fascinating public figure is reduced to an uninteresting, unlikeable cliche in this stylish but only fitfully entertaining biopic.
In all it's an unconvincing portrait, and as the Dylan clone says, "Empty, like one of those cans of soup..."
One wonders whether the documentary format would have better served the material than this ill-focused drama. Since real-life family and observers chime in over the end credits, perhaps the filmmakers were thinking the same thing.
Pearce goes beyond the other skilled mimicries we’ve seen on screen from David Bowie, Jared Leto et al to locate the insecurity in Warhol’s pettiness and cruelty.
The film is most interesting in its portrayal of Warhol as a cold-hearted user.
Miller is wincingly good at playing up the innocence, with her junior high school declarations ('there's always hope') and the politely vacuous laugh she seems to deliver from her front teeth.
...Guy Pearce is fabulous as Warhol, delivering a complex portrait of the pop artist as a bundle of contradictions.
Miller gets old and used up before our eyes, and we not only see it, we see what it means to experience it. This is a movie about power, and its spectacle is that of a woman losing all of it.
Sienna Miller, with her glossed and dimpled party-girl smile, looks so much like the actual Edie Sedgwick that you may think, at moments, that you're seeing the real thing. That spooky look-alike allure does a lot for the movie.
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