Edie Sedgwick's story is sad, but never appears important or interesting.
Factory Girl (2007)
Tomatometer
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Reviews Counted:110
Fresh:20
Rotten:90
Average Rating:4.7/10
Consensus: Despite a dedicated performance by Sienna Miller, Factory Girl delves only superficially into her character, and ultimately fails to tell a coherent story.
Theatrical Release:16-03-2007
Synopsis: Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the... Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the enchanting, enigmatic Edie, offering a moving characterization of the extremely troubled model/actress. The film kicks off as Edie, the daughter of a well-to-do horse rancher, leaves art school and moves to Manhattan in the mid-'60s. Her friend Chuck Wein (Jimmy Fallon) introduces her to Andy Warhol (Guy Pearce), and Andy is immediately taken with the waifish, wealthy Edie. He welcomes her into his Factory, the silver aluminum-foil covered loft where an assortment of artists and oddballs assisted him with his projects. Edie quickly falls into the hard partying, drug-addled scene, starring in Andy's experimental films and becoming his constant companion. She becomes well-known for her unique style, and the fashion industry taps her as its very first "It" girl. Edie is flying high on Andy, speed, and stardom, when she happens to meet the Bob Dylan-esque "Folksinger" (Hayden Christensen). She falls in love with him, and in doing so, falls out of Andy's favor. Her drug addiction spirals out of control, her parents cut off her cash flow, and her very bright star seems to burn out almost as quickly as it rose. As with most biopics, people are sure to quibble over the accuracy of FACTORY GIRL, and whether it offers fair portrayals of so many larger-than-life cultural icons. However, viewers are sure to agree that it makes a poignant statement about the pitfalls of fame. When Warhol tells Edie's mother that her daughter is going to be "super famous", Mrs. Sedgwick coldly responds: "And what exactly would be the value of that?" Judging from the very tragic, short life of Edie, there wasn't much value in it at all. [More]
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon, Peter Bogdanovich, Beth Grant, Illeana Douglas, Mary-Kate Olsen, Mena Suvari, Tommy Perna, Samantha Maloney, Captain Mauzner, Daniel Newman, Don Novello, Tara Summers, Alexi Wasser, Colleen Camp
Director: George Hickenlooper
Director: George Hickenlooper
Screenwriter: Captain Mauzner
Producer: Aaron Richard Golub, Bob Weinstein, Harvey Weinstein
Screenwriter: Captain Mauzner
Story: Simon Monjack
Screenwriter: Aaron Richard Golub
Studio: Weinstein Company
Reviews for Factory Girl
Miller is a genuine surprise as the damaged star. But the film leaves her very much as it finds her: a clueless naive.
A fascinating public figure is reduced to an uninteresting, unlikeable cliche in this stylish but only fitfully entertaining biopic.
One wonders whether the documentary format would have better served the material than this ill-focused drama. Since real-life family and observers chime in over the end credits, perhaps the filmmakers were thinking the same thing.
Spoilt, rich, posh, vacuous and fame-obsessed - who better to play Edie Sedgwick? If she's acting or not, Miller is brilliant. Just a shame the film is so shallow too.
In all it's an unconvincing portrait, and as the Dylan clone says, "Empty, like one of those cans of soup..."
Sienna Miller brings bright eyes and shapeshifting commitment to a script that doesn't always deserve it.
Sienna Miller is perfectly cast but the script barely scratches the surface and you never really get inside any of the characters.
It’s Sienna Miller’s star that shines brightest in this heartbreaking cautionary tale.
A brave bid to recreate a modern American tragedy, with a revelatory turn by its lead actress.
Kudos to Miller for her touching portrayal of a doomed icon. A shame the film’s as substantial as one of Warhol’s silver flotations.
Sienna Miller guarantees herself a bit more than 15 minutes with a strong performance in an otherwise dazed and confused film.
For a film about Warhol's infamous Factory scene, this Edie Sedgwick biopic is, in some ways, depressingly conventional.
Factory Girl’s greatest crime is transforming a scene and a personality that were all about movement and flamboyant brilliance into nothing but inert ventriloquism.
The two central performances are competent but uninspired -- and annoyingly mannered. Pearce's Warhol is a one-note, irresponsible villain and Miller's Sedgwick is a shallow, pretentious party girl who chain-smokes her way through every scene.
Sienna Miller lights up an otherwise mediocre recounting of the rise and fall of Andy Warhol muse Edie Sedgwick.
Though George Hickenlooper's "Factory Girl" feels as vacuous as the picture's main character, "superstar" Edie Sedgwick, it manages to convincingly convey the toxic persona that was Andy Warhol.
Miller's commitment to the role makes a mockery of the movie's conservative and predictable riches-to-rags story arc and the conventionality of its 'edgy' visual strategy.
The historical Edie Sedgwick was a fascinating figure and at no time was she more interesting than when she was a member of Warhol's Factory. It's too bad Factory Girl fails to make this woman compelling in these circumstances.
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