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The Fallen Idol (1948)
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Reviews Counted:26
Fresh:26
Rotten:0
Average Rating:8.6/10
Theatrical Release:28-07-2006
Synopsis: In Carol Reed, Graham Greene found his ideal collaborator, one willing to tackle a subject as complex as that of a child's glimpse into the ambiguous moral twilight of the adult world. Although THE... In Carol Reed, Graham Greene found his ideal collaborator, one willing to tackle a subject as complex as that of a child's glimpse into the ambiguous moral twilight of the adult world. Although THE FALLEN IDOL stars Ralph Richardson as Baines, an embassy butler, it's told from the point of view of Phillipe (Bobby Henrey), the eight-year-old son of the ambassador. The butler has regaled the boy with tales of his youthful adventures, and the boy's feeling for the servant has come to border on idol worship. One weekend when Phillipe has been left in the care of Baines and his wife (Sonia Dresdel), he learns that the butler is involved with Julie (Michele Morgan), an embassy typist. As Mrs. Baines grills the boy about what he knows, the truth slips out. From belowstairs, the boy later hears a violent quarrel between husband and wife. Shortly thereafter, Mrs. Baines falls to her death fom a window whle spying on Julie. As events unfold, Phillipe begins to understand how little he had known his friend, and how slippery truth can be in the world of adults. A penetrating study of an area seldom explored, the film features a performance of tremendous subtlety by Ralph Richardson. [More]
Starring: Ralph Richardson, Michele Morgan, Bobby Henrey, Jack Hawkins
Starring: Ralph Richardson, Michele Morgan, Bobby Henrey, Jack Hawkins, Denis O'Dea, Sonia Dresdel, Walter Fitzgerald, Karel Stepanek, Joan Young, Torin Thatcher
Director: Carol Reed
Director: Carol Reed
Screenwriter: Graham Greene, William Templeton, Lesley Storm
Producer: Carol Reed
Composer: William Alwyn
Studio: Rialto Pictures
Reviews for The Fallen Idol
... one of the great films of innocence lost and a powerful portrait of the powerlessness of children in the adult world, where they are so often ignored or discounted.
It's a gripping mystery story involving adult secrets, childhood lies and betrayal as part of the human equation.
separates itself from what would otherwise be a rather rote drama/thriller.
Watching The Fallen Idol is like setting off one of those milelong mazes of dominoes, with ramps and loop-de-loops and sheer drops. First, every element is ingeniously set up; then, everything falls into place.
Many themes are tragic, but Fallen Idol also extols the resilience of innocence.
As a portrait of the sometime destructiveness of innocence and as a sharp fresco of post-war Britain, this movie is a little masterpiece, an idol that has never fallen.
It's a masterful and unsentimental child's-eye view of the cold, hard adult world.
This earlier pairing between the two masters is another well-crafted and thought-provoking film. And it makes you wish that Reed and Greene had teamed for more than just three films.
Reed and Greene build unbearable tension, with the nifty trick of showing events both as they happen and as little Philippe interprets (and occasionally misinterprets) them.
An indelible portrait of childhood's confusions, disillusionments and inevitable lost innocence.
Remains one of those classics that makes you thankful you haven't seen them all.
A Hitchcockian thriller with human conundrums to go with the suspense.
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