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The Fallen Idol (1948)
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Reviews Counted:26
Fresh:26
Rotten:0
Average Rating:8.6/10
Theatrical Release:28-07-2006
Synopsis: In Carol Reed, Graham Greene found his ideal collaborator, one willing to tackle a subject as complex as that of a child's glimpse into the ambiguous moral twilight of the adult world. Although THE... In Carol Reed, Graham Greene found his ideal collaborator, one willing to tackle a subject as complex as that of a child's glimpse into the ambiguous moral twilight of the adult world. Although THE FALLEN IDOL stars Ralph Richardson as Baines, an embassy butler, it's told from the point of view of Phillipe (Bobby Henrey), the eight-year-old son of the ambassador. The butler has regaled the boy with tales of his youthful adventures, and the boy's feeling for the servant has come to border on idol worship. One weekend when Phillipe has been left in the care of Baines and his wife (Sonia Dresdel), he learns that the butler is involved with Julie (Michele Morgan), an embassy typist. As Mrs. Baines grills the boy about what he knows, the truth slips out. From belowstairs, the boy later hears a violent quarrel between husband and wife. Shortly thereafter, Mrs. Baines falls to her death fom a window whle spying on Julie. As events unfold, Phillipe begins to understand how little he had known his friend, and how slippery truth can be in the world of adults. A penetrating study of an area seldom explored, the film features a performance of tremendous subtlety by Ralph Richardson. [More]
Starring: Ralph Richardson, Michele Morgan, Bobby Henrey, Jack Hawkins
Starring: Ralph Richardson, Michele Morgan, Bobby Henrey, Jack Hawkins, Denis O'Dea, Sonia Dresdel, Walter Fitzgerald, Karel Stepanek, Joan Young, Torin Thatcher
Director: Carol Reed
Director: Carol Reed
Screenwriter: Graham Greene, William Templeton, Lesley Storm
Producer: Carol Reed
Composer: William Alwyn
Studio: Rialto Pictures
Reviews for The Fallen Idol
A fine sensitive story, a brilliant child star and a polished cast, headed by Ralph Richardson and Michele Morgan, combine to make The Fallen Idol a satisfying piece of intelligent entertainment.
The film works beautifully and reminds us of the glories of the black-and-white cinema at its peak, shortly before the beginning of its gradual demise.
...while many elements of The Third Man do feel more Welles-ish than Reed-y, some of those very qualities can be detected in The Fallen Idol as well, particularly in the middle third of the film.
This is an example of a writer and director working in perfect harness, with Reed smoothly ratcheting up the story's suspense and Greene speculating on his cardinal theme of moral ambiguity.
Watching The Fallen Idol is like setting off one of those milelong mazes of dominoes, with ramps and loop-de-loops and sheer drops. First, every element is ingeniously set up; then, everything falls into place.
It's a masterful and unsentimental child's-eye view of the cold, hard adult world.
separates itself from what would otherwise be a rather rote drama/thriller.
It's a gripping mystery story involving adult secrets, childhood lies and betrayal as part of the human equation.
An indelible portrait of childhood's confusions, disillusionments and inevitable lost innocence.
A superbly subtle thriller that represents director Carol Reed and British Tradition of Quality (in black and white) at their very best. It's hard to think of another tale that captures a child's awakening disillusionment in a more perceptive way.
The Fallen Idol is actually a superior psychological drama [to Reed's The Third Man..
Crafting plot through dynamic use of London locations and a magnificent embassy set designed by Vincent Korda, Reed and venerable cinematographer Georges Périnal set a fascinating, multilayered stage for Phil's dilemma.
This earlier pairing between the two masters is another well-crafted and thought-provoking film. And it makes you wish that Reed and Greene had teamed for more than just three films.
The Fallen Idol has a good dose of Hitchcockian spice, with its patient set-up, tense details and slanted angles
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