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Family Plot (1976)
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Reviews Counted:19
Fresh:18
Rotten:1
Average Rating:6.8/10
Runtime: 2 hrs 1 min
Genre: Dramas
Synopsis: FAMILY PLOT was Alfred Hitchcock's 54th and final film; he died on April 29, 1980. The film was Hitchcock's second biggest box office success. Once again the master has made a film that involves... FAMILY PLOT was Alfred Hitchcock's 54th and final film; he died on April 29, 1980. The film was Hitchcock's second biggest box office success. Once again the master has made a film that involves one of his favorite themes--doubling--with one character providing a dark counterpoint to the hero, acting out all his or her repressed, negative desires, as in SHADOW OF A DOUBT and STRANGERS ON A TRAIN. In this film, the two couples, one criminal but amiable and the other criminal but violent, provide a stark contrast with one another. The parallel couples also provide emotional counterbalance to one another as Hitchcock weaves alternating threads of humor and cruelty to create this layered story. When a rich, guilt-ridden dowager visits a psychic (Barbara Harris) for help in finding her family's long-abandoned heir, she sets off more than a search for a missing person. Unbeknownst to the lady, the psychic is a phony, and the lure of dollars sends her, along with her cabdriver husband (Bruce Dern), in hot pursuit of the lost beneficiary. Their bumbling search, however, threatens to interfere with established criminal interests, and, unknowingly, the couple's doggedness leads them into harm's way. The film was based on THE RAINBIRD PATTERN, a novel by Victor Canning. [More]
Starring: Bruce Dern, Barbara Harris, William Devane, Karen Black
Starring: Bruce Dern, Barbara Harris, William Devane, Karen Black, Ed Lauter, William Prince, Marge Redmond, Cathleen Nesbitt
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Screenwriter: Ernest Lehman
Producer: Alfred Hitchcock
Composer: John Williams
Reviews for Family Plot
... full of allusions to past Hitchcock. A car is parked on Bates Avenue; a gas station man tells a cab driver it is dangerous to light a match; the kidnapers tell each other how danger makes them tingle; and the female kidnaper used a blonde wig.
It's not exactly top-tier Hitchcock, but it features enough good stuff to make it at least worth one viewing.
It's a movie that's haunted by death, with lengthy sequences played out in cemeteries.
Hitchcock has a deviously complicated tale to tell, and he's going to tell it with labyrinthine detail, and he's not going to cheat.
An Alfred Hitchcock thriller with many interesting things happening in the movie's small places
Once you tap into the film’s gentle satire of its characters and genre, its strengths become apparent.
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