An accomplished masterpiece, with excellent performances and rarely bettered direction.
Fanny and Alexander (1982)
Tomatometer
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Reviews Counted:33
Fresh:33
Rotten:0
Average Rating:8.9/10
Theatrical Release:10-08-2007
Synopsis: Director Ingmar Bergman had intended FANNY AND ALEXANDER to be his final theatrical film and a summing-up of sorts of his entire cinematic career. (It was followed by 1984's AFTER THE REHEARSAL,... Director Ingmar Bergman had intended FANNY AND ALEXANDER to be his final theatrical film and a summing-up of sorts of his entire cinematic career. (It was followed by 1984's AFTER THE REHEARSAL, which was also made for Swedish television and subsequently released theatrically abroad.) FANNY AND ALEXANDER is the story of two children belonging to a wealthy, extensive theatrical family in provincial Sweden in the early years of the 20th century--10-year-old Alexander (Bertil Guve) and his younger sister, Fanny (Pernilla Alwin). When their father dies unexpectedly during a performance and their mother decides to remarry, the children are forced to relocate to the austere (and possibly haunted) home of their stern and rather coldhearted stepfather, Bishop Vergerus (Jan Malmsjö). A means of escape is eventually provided by Isak Jacobi (Erland Josephson), a longtime friend of the Ekdahl family's who seems to possess magical powers. In this somewhat autobiographical movie--which was filmed in the director's hometown of Uppsala--the gifted, precocious Alexander is a stand-in for Bergman himself, who had a problematic relationship with his own father, a strict clergyman. At once festive, spooky, and bawdy--and uncharacteristically life-affirming--FANNY AND ALEXANDER is one of Bergman's most universally appealing and accessible works. [More]
Starring: Pernilla Allwin, Bertil Guve
Starring: Pernilla Allwin, Bertil Guve
Director: Ingmar Bergman
Director: Ingmar Bergman
Reviews for Fanny and Alexander
It’s a marvellously engrossing and thought-provoking film, filled with dazzling dramatic set-pieces and witty, knowing allusions to its creator’s artistic conceits and deceits.
Bergman at his most compelling, detailed and witty. An astonishing and deeply rewarding achievement.
Dickensian in its extravagant emotional power - with a hint of Charlotte Brontë - and some Chekhov in its melancholy.
During its three hours, seasons come and go, friends and relatives gather for funerals, weddings and christenings, and all human life is here.
A magical movie, Fanny and Alexander is likely to be the achievement for which Bergman will be most remembered.
Sumptuous, haunting, and unusually tender... a nakedly psychological 'in' to [Bergman's] earliest artistic impulses; nothing else in his oeuvre addresses so directly his childhood escapes into fantasy as the by-product of a harsh Lutheran upbringing.
A ghost story whose subjects are the living and the dead, magic and imagination and the nature of God.
A fitting introduction to the very personal cinema of this master craftsman, not only because it exhibits Bergman's signature themes and stylistic devices, but also because it is one of his most life-affirming films.
Arguably Bergman's most accessible and upbeat work, this childhood fable is magical, personal, and poignant in the way that other masterpieces of the genre are, most notably Truffaut's 400 Blows and Fellini's Amarcord.
An extraordinary drama about childhood and imagination as a passport out of dread and into mystery.
a rich and surprisingly peaceful coda to one of film's most illustrious careers.
Latest News for Fanny and Alexander
July 30, 2007:
Through Bergman's Past, Brightly
With the passing of Ingmar Bergman Monday, the world of cinema lost one of its most unique and important voices. Thus, we at Rotten Tomatoes decided to pick our favorite Bergman... More...
July 30, 2007:
Legendary Director Ingmar Bergman dies at 89
Ingmar Bergman, the "poet with a camera," died in his sleep at his home in Faro, Sweden Monday at the age of 89. The director of such influential films as The Seventh Seal,... More...
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