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Moore is simply...wonderful.

The film confronts the era’s intolerance with regard to gender and race relations, but it should be noted that Haynes films without a trace of irony. The actors offer similarly genuine performances.

The best reason to see Far from Heaven is to watch Julianne Moore give one of her finest performances.

An ignorant, false, bigoted, boring, pretentious film that could have been made by Eisenstein in the Kremlin under Joseph Stalin in 1938.

Boldly goes where no 50's melodrama has gone before.

It's a rare thing when a movie makes you react emotionally to the repressive taboos of a past decade while...provoking you to reconsider the attitudes of present society.

A recriação do estilo de Douglas Sirk é interessante, mas soa como mero artifício de Haynes. Já a subtrama envolvendo Quaid (e a bela atuação deste) engrandecem o filme.

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An arid, faux-antique melodrama done in the style of 1950s director Douglas Sirk....Lacks a heart, or at least one with a measurable pulse.