The Coens remain effortlessly ahead of the American field.
Fargo (1996)
Runtime: 1 hr 51 mins
Synopsis: Poor Jerry Lundegaard. He's deep in debt. His wealthy father-in-law has no respect for him. He cheats customers at the car dealership where he works. And now he's hired a bumbling duo to kidnap his wife--a plan that goes horribly awry, leading to homicide. Enter Marge Gunderson, one of the most... Poor Jerry Lundegaard. He's deep in debt. His wealthy father-in-law has no respect for him. He cheats customers at the car dealership where he works. And now he's hired a bumbling duo to kidnap his wife--a plan that goes horribly awry, leading to homicide. Enter Marge Gunderson, one of the most fabulous movie cops in film history. The very-pregnant Marge--played marvelously by Frances McDormand in an Oscar-winning and career-defining performance--just goes about her everyday business, eating (in nearly every scene), talking to the people in the community, and examining bloody corpses as if no day is different from the next. A multiple murder in the small town of Brainerd, Minnesota--home of Paul Bunyan, as the sign claims--seems to have little effect on her. Yet she has an innate cop sense--she is very, very good at her job and determined to solve the case in her offhanded manner. FARGO is yet another offbeat, highly entertaining film from the Coen brothers (BARTON FINK, BLOOD SIMPLE). The film is nearly colorless; instead, director of photography Roger Deakins washes the screen in the blinding white of the snow, occasionally breaking for the drab grays and browns of police uniforms and winter jackets. Carter Burwell's score further enhances the slow, steady pace of this oddly funny and compelling film. The Coens have once again populated their film with a slew of bizarre characters, with outstanding performances delivered by all, particularly the edgy William H. Macy, the quietly luminous McDormand, the nearly psychotic Steve Buscemi, and the oh-so-cold Peter Stormare. [More]
Genre: Dramas
Starring: Frances McDormand, William H. Macy, Steve Buscemi, Peter Stormare, John Carroll Lynch
Producer: Ethan Coen
Screenwriter: Joel Coen, Ethan Coen
Story: Ethan Coen
Composer: Carter Burwell
Reviews
The beauty of the film is in the subtle detail of the dialogue and performances which continue to enchant on repeat viewings.
Written and directed with the verve, painstaking nuance and outrageously black humour that have become the mainstay of a Coen movie.
Fargo is a strikingly mature, uniqueentertainment that plays on many levels ... all satisfying.
[Marge is] a good cop because everything abnormal stands out like a stain against her white-on-white sanity.... [H]er incomprehension [of criminality] is not only her strength as a detective, it justifies the deadpan style of the movie.
Much less vain, flamboyant, and showy than their other pictures, Fargo bears the thematic influence of Samuel Beckett and the stylish coolness of Finland's Aki Kaurismaki, but the violence is all Coens.
This is a near brilliant/near masterpiece (if not an outright masterpiece).
It's good storytelling ... hilarious, disturbing, tragic, and hopeful. But it's not for the squeamish.
The brothers have returned to their roots, both visually and literally. Their new film is reminiscent of their debut movie, Blood Simple, and its wry look at murder.
For all its blood, the movie contains large doses of humor and not a little sweetness and hope.
[The Coen brothers'] very best film, crammed with memorable characters and quotable dialogue.
Thank you, brothers Coen. You have renewed my faith in the serious talent who cannot be lured into the pecuniary heavens of Hollywood.
This is truly a brilliant film, the kind you don't see often. Intelligent, raw, funny, daring and unique, pure cinematic delight from start to end.
Um dos grandes trunfos de Fargo reside em seus diálogos. O problema é que estes duelos verbais travados entre os personagens perdem muito durante a tradução para o português.
Gunderson (Frances McDormand) [is] the most endearing, hilarious and wholly feminine heroine since Thelma or Louise.
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