It’s hard to imagine a more jointly artful and mind-numbingly off-putting cinematic experience... Father and Son is the virtual definition of tedium.
Father and Son (2004)
Tomatometer
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Reviews Counted:40
Fresh:28
Rotten:12
Average Rating:6.4/10
Runtime: 83 mins
Genre: Dramas
Synopsis: Acclaimed filmmaker Alexander Sokurov (RUSSIAN ARK) brings us this sensual study of the bond between a strapping Russian father (Andrey Schetinin) and his soldier son (Aleksey Neymsyshev). In a... Acclaimed filmmaker Alexander Sokurov (RUSSIAN ARK) brings us this sensual study of the bond between a strapping Russian father (Andrey Schetinin) and his soldier son (Aleksey Neymsyshev). In a dreamy rooftop apartment overlooking the sea, the pair wrestle, lift weights, bond, pore over old photos of lost loved ones, and stare longingly into each other's eyes. Some neighbors and a girlfriend drop by, but this is a two-person movie all the way, with deep manly currents ebbing and flowing amid the hallucinatory fairy tale symbolism. The gorgeous photography by Alexander Burov bathes everything in a nostalgic golden light, as if it's all about to fade into one of the ancient photographs that adorn their walls. The presence of old radios playing endless variations on Tchaikovsky suggest this is all occurring in some timeless place of the mind, a notion confirmed as the father-son bond on display begins to dissolve with Oedipal inevitability. Despite associations one may have with gorgeous, half-naked men relentlessly caressing and eyeing each other, Sokurov denies any incestual homoerotic intentions as he is here aiming for something far more abstract and spiritual. His apprenticeship under legendary Russian director Andrei Tarkovsky shows as slow pacing and illogic are put to transcendental effect. This is the second film of a planned trilogy (MOTHER AND SON was the first and TWO BROTHERS AND A SISTER will be the last). [More]
Starring: Andrey Schetinin, Aleksey Neymyshev, Alexander Razbash, Fedor Lavrov
Starring: Andrey Schetinin, Aleksey Neymyshev, Alexander Razbash, Fedor Lavrov, Marina Zasukhina
Director: Aleksandr Sokurov
Director: Aleksandr Sokurov
Screenwriter: Sergei Potepalov
Producer: Thomas Kufus
Composer: Andrei Sigle
Reviews for Father and Son
Poised and teasing in a way that might incite less patient viewers to madness. But you don't come to Sokurov for his narrative agility, you come for his rhapsodic longueurs.
The opacity of the characters and situations prevents the film from having any true emotional impact.
One has the feeling the director has let himself go off the deep end regarding the romantic and idealizing tendencies that, for better or worse, characterize much of his work.
Nothing much happens by way of plot in the course of Father and Son, but it offers a fresh and often startling vision of one of the most fundamental relationships between human beings.
The emotions of the piece pulse in and out like submerged things coming to light, or visions in a trance.
Sokurov vividly evokes the emotions underlying paternal love and filial devotion.
It's a film that will polarize audiences -- some will squirm in their seats while others will go with the art and flow.
For those not familiar with Sokurov’s work, the opaque, exclusive dialogue, surreal reality and the cryptic relationships may come across as ponderous and pretentious.
Sokurov firmly establishes his film as a spiritual parable; the characters’ every glance and touch seems a cosmic gesture...
Like most of Sokurov's movies, this oblique parable is mysterious, elliptical, irresistible.
a unique, striking, poetic expression of the tumultuous emotions shared by a man and his boy at the crossroads of their lives.
Alexander Sokurov's new film is like a dream, or a half-translated poem. Its images and emotions are memorable and vivid, but its intentions often feel stubbornly hermetic.
A more naked movie than Father and Son is hard to imagine and would be impossible to watch.
Borders on the risible but, because Sokurov is Sokurov, this exalted, wacky scenario ... is amazingly staged, inventively edited, and rich in audio layering, with camera placements that sometimes verge on the Brakhagian.
Numbness instead of joy is what permeates the masculine, military-ish world of 'Father and Son.'
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