a work with heady theological implications that is brilliant, funny, iconoclastic, and so deeply true that it is almost too beautiful to bear
Fay Grim (2007)
Tomatometer
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Reviews Counted:85
Fresh:37
Rotten:48
Average Rating:5.4/10
Consensus: Fay Grim is too concerned with its own farcical premise to present a coherent, involving story.
Runtime: 1 hr 58 mins
Genre: Dramas
Synopsis: Hal Hartley's 1997 film HENRY FOOL tells the story of Simon Grim (James Urbaniak), a garbage collector in Queens whose burgeoning talent as a poet is spurred on to greatness by Henry (Thomas Jay... Hal Hartley's 1997 film HENRY FOOL tells the story of Simon Grim (James Urbaniak), a garbage collector in Queens whose burgeoning talent as a poet is spurred on to greatness by Henry (Thomas Jay Ryan), a failed novelist with a shady past. Though the film gave Hartley art-house success, it was an unlikely candidate for sequeldom--let alone one that's a spy thriller--but, years later, that what he's given us with FAY GRIM. Henry has been missing for seven years, and Simon's sister, Fay (Parker Posey), is a single parent raising her and Henry's 14-year-old son, Ned (Liam Aiken), in Woodside, Queens. Simon is in prison for helping Henry escape from the law, but Fay is given a chance to spring him when she is approached by CIA agent Fulbright (Jeff Goldblum), who asks her to go Paris to obtain Henry's "confessions," a series of notebooks he filled with international political secrets. Once in Paris, Fay is preyed upon by operatives other than those she is meant to deal with, and things don't go as planned. An unwitting pawn in a complex international scheme set in motion by her missing husband, Fay finds herself traveling to Turkey for answers. Fans of Hartley's work will be pleased with this oddball take on the espionage genre, in which a permanently tilted camera mirrors the loopy proceedings. Though Posey's Fay is a stereotypical "clueless American abroad" in designer duds, and her adventure seems at first to be a silly game, bodies begin piling up, and the tale gathers real weight. FAY GRIM is a unique addition to Hartley's singular body of work, and a treat for indie film fans regardless of their familiarity with HENRY FOOL. [More]
Starring: Parker Posey, Jeff Goldblum, Leo Fitzpatrick, Chuck Montgomery
Starring: Parker Posey, Jeff Goldblum, Leo Fitzpatrick, Chuck Montgomery, James Urbaniak, Saffron Burrows, Liam Aiken, Elina Lowensohn, Thomas Jay Ryan
Director: Hal Hartley
Director: Hal Hartley
Screenwriter: Hal Hartley
Producer: Hal Hartley, Michael S. Ryan, Martin Hagemann, Jason Kliot, Ted Hope
Composer: Hal Hartley
Studio: Magnolia Pictures
Reviews for Fay Grim
Slyly, almost imperceptibly comedic, Fay Grim is indeed a film by Hal Hartley, who wrote, directed, edited and scored the film. But it's also Parker Posey's film
Fay Grim arrives like a breath of fresh air in a stale summer of big budget sequels. It's smart, breezy, serious and silly. It also allows Parker Posey to shine.
Hartley pretzels his faux spy plot into "Syriana"-like knots and ends up with a fascinating if somewhat flawed absurdist romp.
Fay Grim is a farce in which people die and lives are ruined. Which is to say, it's peculiarly funny, but you have to be an existentialist with lightning-fast reflexes to get all the jokes.
A fun whirligig of a thriller that comes dangerously close to killing the buzz from its idiosyncratic delights, but manages to survive (mostly) intact.
The joke in Hal Hartley's deadpan semi-comedy Fay Grim is that the smart, self-aware characters can never see what's right in front of them.
Despite its imperfections, Fay Grim is worth seeing for Posey's and Goldblum's performances and particularly for the witty, literate dialogue.
Fay Grim is less concerned with the details of contemporary spy-craft and global deception than with broader moral questions.
Parker Posey is one of the indie queens used feebly by Hollywood, but in the hands of Hartley she is the star needed and right on schedule.
Hartley's work has always been an acquired taste. While Fay Grim is too uneven to win him many converts, it is laced with enough intelligence and wit to remind longtime fans why they were drawn to his unique vision in the first place.
At two hours, it does get a bit overwhelming to keep up, but there are worse places to be stuck for 120 minutes.
A wild and wacky movie about international politics, terrorism, and the antics of an American trickster.
Hartley miraculously manages to make a grandly entertaining (and relevant) movie that never seems as if it's being too cloying.
This is a perfect role for Posey and she plays it to the hilt, with the rest of the cast providing complementary lunacy.
[Director Hartley] has a solid lead in Posey, who's amusing, especially as her character gains confidence and as she begins to turn the tables on the duplicitous Fulbright and others.
Behind it all is a great, deadpan laugh; I like it a good deal more than Henry Fool.
The unorthodoxy of the film is perhaps its biggest asset -- along with the idea that a personal cinema can still exist, be so entertaining and provide something new to feel about character -- and maybe even the universe.
The story is deliberately perplexing, and while the logic of the serpentine narrative surely makes sense, Hartley is more concerned with the cadences and rhythms of the spy movie itself.
Latest News for Fay Grim
June 13, 2007:
More Posey for "Superman" Sequel?
While out and about talking about her newest indie "Broken English," Parker Posey was asked if she'll be returning for the "Superman Returns" sequel... More...
May 17, 2007:
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America is going green this week: "Shrek the Third" (featuring the voices of Mike Meyers, Eddie Murphy, and Antonio Banderas) is our single new wide release. Critics... More...
May 04, 2007:
SFIFF Report: Red Carpet, Parker Posey, Capsule Reviews!
It's been half a century since the San Francisco International Film Festival began (making it the longest-running domestic fest of its kind) and its lineup reflects that history... More...
April 28, 2007:
Trailer & Poster review ![]()
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