The feeling of the original film has been lost.
Fay Grim (2007)
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Reviews Counted:85
Fresh:37
Rotten:48
Average Rating:5.4/10
Consensus: Fay Grim is too concerned with its own farcical premise to present a coherent, involving story.
Runtime: 1 hr 58 mins
Genre: Dramas
Synopsis: Hal Hartley's 1997 film HENRY FOOL tells the story of Simon Grim (James Urbaniak), a garbage collector in Queens whose burgeoning talent as a poet is spurred on to greatness by Henry (Thomas Jay... Hal Hartley's 1997 film HENRY FOOL tells the story of Simon Grim (James Urbaniak), a garbage collector in Queens whose burgeoning talent as a poet is spurred on to greatness by Henry (Thomas Jay Ryan), a failed novelist with a shady past. Though the film gave Hartley art-house success, it was an unlikely candidate for sequeldom--let alone one that's a spy thriller--but, years later, that what he's given us with FAY GRIM. Henry has been missing for seven years, and Simon's sister, Fay (Parker Posey), is a single parent raising her and Henry's 14-year-old son, Ned (Liam Aiken), in Woodside, Queens. Simon is in prison for helping Henry escape from the law, but Fay is given a chance to spring him when she is approached by CIA agent Fulbright (Jeff Goldblum), who asks her to go Paris to obtain Henry's "confessions," a series of notebooks he filled with international political secrets. Once in Paris, Fay is preyed upon by operatives other than those she is meant to deal with, and things don't go as planned. An unwitting pawn in a complex international scheme set in motion by her missing husband, Fay finds herself traveling to Turkey for answers. Fans of Hartley's work will be pleased with this oddball take on the espionage genre, in which a permanently tilted camera mirrors the loopy proceedings. Though Posey's Fay is a stereotypical "clueless American abroad" in designer duds, and her adventure seems at first to be a silly game, bodies begin piling up, and the tale gathers real weight. FAY GRIM is a unique addition to Hartley's singular body of work, and a treat for indie film fans regardless of their familiarity with HENRY FOOL. [More]
Starring: Parker Posey, Jeff Goldblum, Leo Fitzpatrick, Chuck Montgomery
Starring: Parker Posey, Jeff Goldblum, Leo Fitzpatrick, Chuck Montgomery, James Urbaniak, Saffron Burrows, Liam Aiken, Elina Lowensohn, Thomas Jay Ryan
Director: Hal Hartley
Director: Hal Hartley
Screenwriter: Hal Hartley
Producer: Hal Hartley, Michael S. Ryan, Martin Hagemann, Jason Kliot, Ted Hope
Composer: Hal Hartley
Studio: Magnolia Pictures
Reviews for Fay Grim
Fay Grim is like watching stoners playing Risk and Clue at the same time.
Hartley's work has always been an acquired taste. While Fay Grim is too uneven to win him many converts, it is laced with enough intelligence and wit to remind longtime fans why they were drawn to his unique vision in the first place.
This film feels like Hartley has been handed a Bourne or a Bond movie to direct and maintained his own style and low-budget aesthetic while thoroughly enjoying and deconstructing his new toy.
Part satire, part action flick and complete ball of confusion, it's hard to tell what director-writer Hal Hartley intends with this often-amateurish, often dull, always frustrating film.
The more complicated it gets the less interesting it becomes; the joke is just overloaded, and at almost two hours, too long.
In the end Fay Grim probably shares one unfortunate quality with the Hollywood movies so reviled in IndieWorld: It may be an unnecessary sequel.
Fay Grim plays like a cadre of smug high-school drama students absolutely convinced everyone will be as amused by their antics as they are.
Fay Grim is tortured in its attempt at cleverness, and plays endlessly.
Fay Grim is not exactly a sequel but the law of diminishing returns applies to it just the same.
Hartley's film doesn't match up to the cockamamy punch of its predecessor, but it's enough to see Posey run riot through the director's skewed visions.
Fay Grim falls victim to its own worried hyperactivity; it shuts you out with chattery paranoia. Hartley wants us to see the big picture, but he forgets we need artists like him to bring it into focus.
Behind it all is a great, deadpan laugh; I like it a good deal more than Henry Fool.
Fay Grim gets so carried away with the intricacies of its plot that it gets lost in its own excessive cleverness.
The picture is a misfire, but not a crash, and signals a newfound desire on Hartley's part to return to his roots and explore how he used to conduct business.
Hal Hartley brings back Parker Posey as the spy who knows too little in this quick-witted follow-up to his 1998 "Henry Fool."
Arch, annoyingly complicated and insufferably smug, this will appeal only to those for whom Hartley and Posey can do no wrong.
Too hip to play it straight and too cool to resort to an actual story, [director Hal] Hartley turns the whole rambling spy game into a puzzle box...
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May 04, 2007:
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April 28, 2007:
Trailer & Poster review ![]()
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