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Fear X (2003)
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Reviews Counted:32
Fresh:18
Rotten:14
Average Rating:5.8/10
Runtime: 1 hr 31 mins
Genre: Dramas
Synopsis: Grief-stricken Harry Cain (John Turturro, BARTON FINK) works as a security guard in the Wisconsin mall where his pregnant wife, Kate (Deborah Kara Unger, LOVE SONG FOR BOBBY LONG), was recently... Grief-stricken Harry Cain (John Turturro, BARTON FINK) works as a security guard in the Wisconsin mall where his pregnant wife, Kate (Deborah Kara Unger, LOVE SONG FOR BOBBY LONG), was recently shot to death in an apparently unmotivated crime. By night he meticulously culls hours of the mall's surveillance video in hopes of finding a clue to the mystery of her death; his clue, however, comes in the form of a dream. He follows it as far as Montana, where he stumbles upon an unsuspected conspiracy and the slowly emerging realization that there was much in Kate's life of which he was unaware. A successful blend of existential themes and the tropes of the thriller, this oneiric film evokes David Lynch in its haunting abstractions, augmented by a sparse, eerie score from Brian Eno. [More]
Starring: John Turturro, Deborah Unger, James Remar, Jacqueline Ramel
Starring: John Turturro, Deborah Unger, James Remar, Jacqueline Ramel, Stephen McIntyre, William Allen Young
Director: Nicholas Winding Refn
Director: Nicholas Winding Refn
Screenwriter: Hubert Selby, Jr., Nicholas Winding Refn
Producer: Henrik Danstrup
Studio: Silver Nitrate Films
Reviews for Fear X
Refn seems overly pleased with his own cleverness, laying on the hypnotic austerity a bit thickly.
A Middle American psychological crime thriller agreat portion of which plays out none too rationally inside its protagonist's head.
What happens afterwards, in Refn and the late Hubert Selby, Jr.'s can't-resist-obscurity-and-ambiguity screenplay will disappoint most filmgoers.
Frustratingly opaque by design, Fear X offers viewers insufficient fear and excessive "X."
Imagine an hour of birds flying backwards and rooms with red curtains, and there’s the rest of your movie.
It's a fundamentally Scandinavian movie, a hyperintense meditation on death and destiny set amid a bleak wintry landscape and played out by the emotionally devastated.
As the film builds, director Refn skillfully allows Harry to get both closer and farther away form his goal, like an optical illusion.
Turturro's clammy, lumpen Cain is a profoundly disagreeable guide down the rabbit hole of hallucinatory paranoia.
Fortunately, Turturro's subtle turn keeps our emotional connection solid even when the story skates on thin ice.
The story, in the end, is less than satisfying and, unfortunately, doesn't match the movie's eerie style.
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