A fitting tribute to the born liar.
Fellini I'm a Born Liar (2003)
Tomatometer
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Reviews Counted:39
Fresh:28
Rotten:11
Average Rating:6.6/10
Runtime: 1 hr 45 mins
Genre: Foreign Films
Synopsis: Italian filmmaker Federico Fellini created one of cinema's most distinct, influential, and lasting bodies of work over the course of his legendary career. Fellini's films explored the director's... Italian filmmaker Federico Fellini created one of cinema's most distinct, influential, and lasting bodies of work over the course of his legendary career. Fellini's films explored the director's innermost fears, dreams, and desires with uncompromising originality, and forever changed cinema in the process. In this documentary from Damian Pettigrew, audiences get to hear from the director himself, who was interviewed just months before his passing in October 1993. Fellini isn't a theorist, and that's what makes his discourses so entertaining. He proves that his films were true expressions of the subconscious, without the over-intellectualizing that plagued the work of so many of his peers. In addition to clips from 8 1/2 and LA DOLCE VITA, Pettigrew presents behind-the-scenes footage of Fellini directing SATYRICON and AMARCORD. This footage provides greater insight into the director's almost comically two-dimensional view of actors, who he treated more like puppets than actual human beings. Corroborating this are several actors who worked with Fellini on different projects, including Donald Sutherland, Terence Stamp, and Roberto Benigni. A must-see for film aficionados, I'M A BORN LIAR only adds to the director's already boundless mystique and charm. [More]
Starring: Federico Fellini, Donald Sutherland, Terence Stamp, Roberto Benigni
Starring: Federico Fellini, Donald Sutherland, Terence Stamp, Roberto Benigni, Italo Calvino
Director: Damian Pettigrew
Director: Damian Pettigrew
Screenwriter: Damian Pettigrew, Olivier Gal
Studio: First Look
Reviews for Fellini I'm a Born Liar
Best understood not as a biography but as a kind of master class, a seminar in aesthetics conducted by Fellini, with ample and intelligent footnotes supplied by Mr. Pettigrew.
The filmmaker acknowledges the contradictions inherent in [Fellini's] surreal style.
Fellini came close to painting his thoughts directly onto the screen. Born Liar honors this approach by putting lyricism ahead of clarity. You get the feeling that the maestro would appreciate the results.
There may be better straight introductions to the accomplishments of this most poetic of cinematic artists, but for the already initiated this will serve as a welcome remembrance.
A movie that will be treasured by those who love Fellini, just as surely as it will confound and bore anyone not particularly familiar with or fond of the great Italian director.
Pettigrew assumes that Fellini was a genius, and while this film won't convince any skeptics, the maestro's fans can sink into it like a hot bath.
General audiences will regret the absence of titles identifying various clips and interviewees, but Fellini fans will want to eat the whole thing up with a spoon.
Both completely fascinating and intermittently frustrating; however, as with Fellini's own films, the downside is far outweighed by the pluses.
Rather earthbound in light of its fantastical subject, but it makes up for its lack of style through sheer access to the artist near the end of his life.
Offers us a close-up look at a director who was foremost a visual master, capable of creating the kind of unsettling images that haunt you forever.
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