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Fellini Satyricon (1969)
Runtime: 2 hrs 11 mins
Synopsis: In SATYRICON, Italian New Wave director Federico Fellini depicts the hedonistic, amoral, pre-Christian world of ancient Rome. Using the unfinished classical writings of Petronius as his guide, Fellini invents a dreamlike culture full of strange, distant characters and odd, grotesque... In SATYRICON, Italian New Wave director Federico Fellini depicts the hedonistic, amoral, pre-Christian world of ancient Rome. Using the unfinished classical writings of Petronius as his guide, Fellini invents a dreamlike culture full of strange, distant characters and odd, grotesque events. Though the film lacks a definitive plot or narrative structure, its constants are Gitone (Max Born) and Encolpius (Martin Potter), whose unsavory encounters with sex, the theater, and religion are the film's focal point. Presenting a loosely structured episodic tale of decadence and depravity in ancient Rome, SATYRICON follows the adventures of two students as they negotiate their way through a variety of mishaps, dangers, and sexual encounters. What results is a bizarre journey through ancient Rome. This story is a perfect example of Fellini's accomplished skill in bringing fantasy to the screen. [More]
Genre: Foreign Films
Starring: Martin Potter, Max Born, Hiram Keller, Capucine, Gordon Mitchell
DVD Info
Release:
Oct 4, 2001
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 2.35
Audio:
- Dolby Digital Mono - Italian
- Dolby Digital Mono - English
Additional Release Material:
- Trailers - 1. Original Theatrical Trailer
Reviews
The odd thing is that the excess seems visual and mythical rather than really sexual.
Those who don't weaken and bolt for the door experience a one-of-a-kind visual adventure they are unlikely to forget.
It is a surreal epic that, I confidently believe, will outlive all its interpretations.
It is so much more ambitious and audacious than most of what we see today that simply as a reckless gesture, it shames these timid times. Films like this are a reminder of how machine-made and limited recent product has become.
Felliini's ancient Roman tale with a modern message is as cynical and bleak as its images are startling and original.
The film is either a celebration of depravity or a warning against Godlessness, though no one knows which and Fellini doesn't bother to make the distinction himself.


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