The problem with this movie is that Billy Connolly never gets to open his mouth wide.
Fido (2007)
Tomatometer
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Reviews Counted:67
Fresh:46
Rotten:21
Average Rating:6.3/10
Consensus: Making the most of its thin premise, Fido is an occasionally touching satire that provides big laughs and enough blood and guts to please gorehounds.
Runtime: 1 hr 32 mins
Genre: Horror/Suspense
Synopsis: Lying somewhere between PLEASANTVILLE and NIGHT OF THE LIVING DEAD, FIDO is a zombie buddy pic/love story set in a picture-perfect, technicolored 1950s suburb. With the world still recovering from... Lying somewhere between PLEASANTVILLE and NIGHT OF THE LIVING DEAD, FIDO is a zombie buddy pic/love story set in a picture-perfect, technicolored 1950s suburb. With the world still recovering from a zombie war that broke out several decades prior, the town of Willard has found a way to keep the peace. The world beyond the gates may be overrun by zombies, but fortunately a huge corporation called ZomCom has managed to domesticate the undead, turning them into faithful servants of the human race. Director Andrew Currie's movie follows a young boy named Timmy (K'Sun Ray) as he develops a friendship with the zombie (Billy Connolly) his mother purchases to impress the new neighbors, Mr. and Mrs. Bottoms, when she finds out Mr. Bottoms (Henry Czerny) just happens to be the head of ZomCom itself. Naming his new friend Fido and initially treating him like a poorly-behaved dog, Timmy soon confirms what he always secretly suspected – that zombies can have feelings too. No one is more surprised by this than Timmy's mom, Helen (Carrie-Anne Moss), who, as an escape from of her rude, zombie-phobic husband (Dylan Baker), develops some very human feelings for the household zombie help. The best part about Fido are the zombies themselves, with Billy Connolly giving a great performance as Fido. Even though he's never given an opportunity to speak, Connolly convincingly comes across as kind and life-loving despite his zombie-ness. In creating the look of the 1950s, the film boasts impressively bright colors and neat furniture design. This, combined with elaborate costumes, provides a surreal backdrop for a fantastical plot. Thankfully Currie never gets too sentimental with his script, and maintains a satirical tone throughout, throwing in a severed limb whenever things risk getting to weepy. [More]
Starring: Carrie-Anne Moss, Billy Connolly, Tim Blake Nelson, Dylan Baker
Starring: Carrie-Anne Moss, Billy Connolly, Tim Blake Nelson, Dylan Baker, Henry Czerny
Director: Andrew Currie
Director: Andrew Currie
Screenwriter: Andrew Currie, Robert Chomiak, Dennis Heaton
Producer: Blake Corbet, Mary Anne Waterhouse
Studio: Lions Gate Films
Reviews for Fido
Boasts a premise that might make for an amusing Far Side panel -- '50s suburbia with zombie servants -- and... doesn't do much else with it, actually.
Fido's humor comes from the clash of genres: bright cheery Americana butting up against the death and destruction of zombie horror.
Fido [is] a wildly entertaining comedy. It has as much humor as horror, and a wonderfully wonky way of making its many cogent social critiques.
This Technicolor goof on parallel-universe nostalgia has a serious timing problem. It plays like a '50s sitcom, and not the good, I Love Lucy kind.
Cute and witty, if a bit too dependent on its delightfully goofy storyline gimmick.
The movie happily rolls out retro trappings that promise some salient social commentary, perhaps about illegal immigrants, that never comes to fruition.
This attempt at parodying the zombie genre via 50s pop culture never really finds its feet. Or teeth.
You say, Enough zombies already? No, please, make room for Fido. A shotgun wedding of George Romero and SCTV, it's madly funny -- a treat for moviegoers who don't mind gnawed-off limbs with their high jinks.
Brightly packaged and steadily amusing, even if the script never really develops anything interesting from its high-concept premise.
Offers a lot of campy fun ... but modern zombie fans may be disappointed.
The premise is so fantastic you almost forgive the shortcomings of the movie itself.
Stretches its one-joke premise and artificial look beyond the breaking point.
This indie exercise is so stultifying you might want to check your own pulse.
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