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The Five Obstructions (2004)
Runtime: 90 mins
Synopsis: With THE FIVE OBSTRUCTIONS, notoriously mischievous director Lars von Trier performs yet another cinematic experiment. This time around, the Danish prankster tries to outwit his mentor, director Jorgen Leth, forcing him to remake his classic 1967 short, "The Perfect Human," five... With THE FIVE OBSTRUCTIONS, notoriously mischievous director Lars von Trier performs yet another cinematic experiment. This time around, the Danish prankster tries to outwit his mentor, director Jorgen Leth, forcing him to remake his classic 1967 short, "The Perfect Human," five different times, with a series of increasingly outlandish guidelines. His goal is to break down the abnormally stable Leth, teaching him a valuable life lesson in the process. In the first film, von Trier sends Leth to Cuba and sets his first seemingly insurmountable rule: make a film that consists of shots that are no longer than twelve frames at a time. Miraculously, Leth uses his forced limitations to create a beautiful work, which obviously irks von Trier. Next up, von Trier challenges Leth to return to Bombay--which he calls the "most wretched place on Earth"--in order to confront some demons from his past. Once again, the clever mentor rises to the challenge. Frustrated and sensing defeat, von Trier's next challenge is deceptively simple: Leth must remake his film with no limitations whatsoever. He travels to Brussels and succeeds once again. After a foray into animation, von Trier creates the final obstruction, a film in which von Trier admits defeat and pays tribute to his mentor. THE FIVE OBSTRUCTIONS is a thoughtful, entertaining meditation on the filmmaking process. [More]
Genre: Foreign Films
Starring: Lars von Trier, Jorgen Leth
DVD Info
Release:
May 10, 2004
DVD Features:
- Region (unknown)
- Keep Case
- Full Frame - 1.33
Audio:
- Dolby Digital - Danish, English, French, Spanish
- Subtitles - English
Reviews
A fascinating meditation on filmmaking and a remarkable intellectual exercise.
[Leth's] strength against adversity elevates the movie above the one-sided whipping of a genial man to a more interesting duel of filmmakers. He parries when von Trier thrusts.
This unique work does humanise the two directors, but also shows that these two fallible humans are capable of making wonderful if not perfect cinematic works.
Despite his own pessimism, I think Von Trier does change Leth as an artist, a little, through these chastisements.
A hugely entertaining chess game between equally matched opponents.
By challenging Leth, pushing him out of his comfort zone, von Trier releases in his idol a creative brilliance that would have otherwise remained buried.
Stands as a testament to the elasticity of human imagination and to a friendship that can survive even the devious deconstructionist schemes of Lars von Trier.
A film like this has a limited audience, I suppose, but for that audience it offers a rare fascination.
For those who treasure not only watching the intricate challenges of filmmaking but also feeling the thrill of tomfoolery and sharing the demonic joy of psychological twists, Obstructions is enthralling.
A vain and vapid intellectual exercise that only serves to illustrate Lars von Trier's unswerving arrogance.
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