A heady take on the wartime resistance tale that drags you right into the dismay felt by its heroes.
Flame & Citron (2008)
Tomatometer
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Reviews Counted:60
Fresh:51
Rotten:9
Average Rating:6.7/10
Consensus: The true story of the Danish resistance in WW2, though lengthy and sprawling, is gripping and competently made.
Theatrical Release:06-03-2009
Synopsis: In this thriller set in World War II-era Copenhagen, two men put everything on the line in their fight against the Nazis. Bent Faurschou-Hviid, aka Flame (Thure Lindhardt, INTO THE WILD), is young... In this thriller set in World War II-era Copenhagen, two men put everything on the line in their fight against the Nazis. Bent Faurschou-Hviid, aka Flame (Thure Lindhardt, INTO THE WILD), is young and idealistic, while Jørgen Haagen Schmith, aka Citron (Mads Mikkelsen, CASINO ROYALE), is concerned about his family as his role in the resistance grows more prominent. As they get closer to attacking the head of the Gestapo (Christian Berkel, DOWNFALL), the men realize that they can only trust each other. Directed by Ole Christian Madsen, this Danish hit is based on true events. [More]
Starring: Thure Lindhardt, Mads Mikkelsen, Stine Stengade, Peter Mygind
Starring: Thure Lindhardt, Mads Mikkelsen, Stine Stengade, Peter Mygind, Mille Hoffmeyer Lehfeldt, Christian Berkel, Hanns Zischler, Claus Riis Ostergaard, Lars Mikkelsen, Flemming Enevold, Jesper Christensen
Director: Ole Christian Madsen
Director: Ole Christian Madsen
Screenwriter: Lars Kolding Andersen, Ole Christian Madsen
Producer: Lars Bredo Rahbek
Composer: Karsten Fundal
Studio: IFC Films
Reviews for Flame & Citron
Director Ole Christian Madsen has opted rather to make a kind of action thriller-meets-film noir hybrid, and yet visually, at least, it works.
Viewers expecting the heroics of Black Book or Female Agents may be surprised at the subdued, procedural pace Madsen opts for.
This is a sprawling but thoroughly absorbing saga that reminds you of the classic French resistance drama Army In The Shadows.
The moral horror and charismatic performances leave a deep impression.
Writer-director Ole Christian Madsen delivers plenty of excitement, but misses the tragic resonance of Jean-Pierre Melville’s recently re-discovered resistance masterpiece Army In The Shadows.
As you'd imagine this is not exactly a laugh a minute, but whilst a little shapeless in places, it manages to engage and inform on many levels.
It’s episodic and lengthy, but on the whole this is a well-sustained and surprisingly understated drama.
A polished, dazzlingly photographed tale of Resistance heroes that is curiously devoid of tension.
Noirer-than-thou wartime drama, which wants terribly to show the movement in a murky light, perhaps explaining the murky lighting.
The film's so stodgy that you quickly lose any interest in the National Socialist-baiting pair, making a long film seem much, much longer.
Impressively directed, sharply written wartime thriller with strong performances from its two leads, though it drags considerably in the middle section and is at least 30 minutes too long.
As you'd imagine this is not exactly a laugh a minute, but whilst a little shapeless in places, it manages to engage and inform on many levels.
Ole Christian Madsen directs with crisp conviction, however, and strong crescendi. And a truth-based story always helps.
In its depiction of the crucial tests of nerve, and of their rooting-out of traitors, the film recalls L'armée des Ombres, which similarly examines the psychological conflict between killing and the gravitational pull of one's humanity.
The twists and turns of the plot keep you on tenterhooks throughout, even if this competently made film sometimes looks as if it were shot in a Denmark depleted of ordinary citizens.
Some effectively staged action and decent turns ensure this is a solid addition to the growing canon of European-made Second World War films.
Madsen makes the most of his budget, and he keeps pulling his camera back for long, visually sumptuous overhead shots.
A drop-dead gorgeous period noir, rife with paranoia, femmes fatales, and good men inexorably sinking into the bloody mire and opaque texture of life (and death) during wartime.
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