Depressing to think that this was a huge hit on the back of the Irene Cara hit single, since there's absolutely nothing to it.
Flashdance (1983)
Tomatometer
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Reviews Counted:32
Fresh:10
Rotten:22
Average Rating:4.7/10
Runtime: 1 hr 36 mins
Genre: Dramas
Synopsis: In Adrian Lyne's FLASHDANCE, a young woman, Alex (Jennifer Beals), strives to achieve success as a classical dancer, but economic forces require her to work as a welder by day and an exotic dancer... In Adrian Lyne's FLASHDANCE, a young woman, Alex (Jennifer Beals), strives to achieve success as a classical dancer, but economic forces require her to work as a welder by day and an exotic dancer by night. Standing in her way is an abundance of profound social obstacles, not the least of which is her boss at the welding factory, Nick (Michael Nouri), who is also her boyfriend. Alex strives to be accepted into a prestigious ballet academy, and she is furious when she realizes that her boyfriend might be pulling strings for her behind the scenes. Along the road to self-discovery and independence, Alex also struggles to accept love, come to terms with her own stubbornness, and find the inner strength to turn her lofty dreams into reality. Edited for maximum rhythmic impact, FLASHDANCE is full of glistening bodies and metallic surfaces, powered by Giorgio Moroder's throbbing music and one hit song after another: Michael Sembello's "Maniac," Karen Karmen's "Manhunt," and, notably, Irene Cara's Oscar-winning theme song, "Flashdance...What a Feeling." FLASHDANCE marks the first coproduction between Jerry Bruckheimer and Don Simpson, who geared the film toward the MTV generation. [More]
Starring: Jennifer Beals, Michael Nouri, Lilia Skala, Sunny Johnson
Starring: Jennifer Beals, Michael Nouri, Lilia Skala, Sunny Johnson
Director: Adrian Lyne
Director: Adrian Lyne
Screenwriter: Joe Eszterhas
Producer: Jerry Bruckheimer, Don Simpson
Reviews for Flashdance
As far as date movies go, this is effective enough, especially the scene where Beals demonstrates how to change her top without taking off her sweater.
I don't know whether to love it or hate it, procedure for anything scripted by Joe Eszterhas.
A simplistic fairy tale, directed by Lyne in a trashy, superficially glitzy style, with pretense to realism in its on-location shooting and a woman who works as a welder, and the kind of postmodernism that's mostly evident in the heroine's name, Alex.
The story doesn't help Miss Beals either, because she's at her least convincing when having to register any emotion other than rapture.
An utterly preposterous piece of Reagan-era bootstrapping propaganda.
Jennifer Beals shouldn't feel bad. She is a natural talent, she is fresh and engaging here, and only needs to find an agent with a natural talent for turning down scripts.
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