There’s no editing within a scene, no close-ups. No incidental music. Just life, or a pretty accurate simulation of life.
The Flight of the Red Balloon (2008)
Tomatometer
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Reviews Counted:79
Fresh:63
Rotten:16
Average Rating:6.9/10
Consensus: Hou Hsiao-hsien's remake of the 1956 classic is unhurried, contemplative, and visually rapturous.
Theatrical Release:14-03-2008
Synopsis: In 1956, Albert Lamorisse made THE RED BALLOON, a short in which a young boy, played by his son, makes friends with a red balloon. Some 50 years later, Taiwanese auteur Hou Hsiao Hsien has made his... In 1956, Albert Lamorisse made THE RED BALLOON, a short in which a young boy, played by his son, makes friends with a red balloon. Some 50 years later, Taiwanese auteur Hou Hsiao Hsien has made his first French-language film, the charming and subtle FLIGHT OF THE RED BALLOON, commissioned by the Musée d'Orsay and inspired by Lamorisse's children's classic. A blonde Juliette Binoche stars as Suzanne, a single mother living in Paris, doing her best to raise her seven-year-old son, Simon (Simon Iteanu), while preparing her latest puppet show, based on the Yuan Dynasty story of Zhang Yu and his beloved, Qiong Lian. Suzanne hires Song (Song Fang), a Taiwanese film student, to come to Paris to take care of Simon. Song goes everywhere with her camera, filming everything she sees. Meanwhile, Simon is being followed by a red balloon that has grown attached to the boy. The balloon, which seems to have its own personality, hovers over the boy and his family as Suzanne struggles with her daily life, fighting with tenants who owe back rent, moving a piano, and getting ready for the puppet show. Hou, the director of such widely acclaimed films as THE PUPPETMASTER, FLOWERS OF SHANGHAI, and CAFE LUMIERE, has created a touching, beautiful film in FLIGHT OF THE RED BALLOON, which opened the 2007 Cannes Film Festival and was also selected for that year's New York Film Festival. Not only does the balloon serve as a character unto itself but so does the city of Paris as Song and Simon walk through the streets and ride the train. All the dialogue in the film is improvised, shot in long takes by cinematographer Mark Lee Ping Bing; Hou provided each of the actors with the general scenario and back story and then had them fill in the dialogue and movement themselves, adding a natural authenticity to the film. [More]
Starring: Juliette Binoche, Simon Iteanu, Hippolyte Girardot, Song Fang
Starring: Juliette Binoche, Simon Iteanu, Hippolyte Girardot, Song Fang, Louise Margolin
Director: Hou Hsaio-Hsien
Director: Hou Hsaio-Hsien
Screenwriter: Hou Hsaio-Hsien, Francois Margolin
Producer: Francois Margolin
Composer: Camille, Constance Lee
Studio: IFC Films
Reviews for The Flight of the Red Balloon
Lamorisse's film was a third of this length, and was lighter than air. Hou's is about the weight of air itself on a muggy day, and whether that sustains over 113 minutes will be between each viewer and his attention span.
The slow-moving Red Balloon really doesn't stack up favorably with its obvious inspiration, the delightful 1956 short fantasy The Red Balloon.
In a film that feels so unstructured, these scenes reveal how much craft and structure actually go into Hou's films, how he endows his film with such meticulous layering of themes and ideas.
Even when [Hou is] working with simple ingredients, he brings along his masterful sense of space, timing, and everyday observation, which gives an actress like Binoche ample room to shine.
I fear many viewers may lose patience. But those who stay to the end of this delicate and beautiful film will be amply rewarded.
It’s all humdrum and low key without any redeeming compositional elegance or symmetry.
Miraculously avoids leaden 'significance' in favor of a sagacious lived-in-ness.
Many will become irritated and bored; watching eggs being cracked for pancakes could be riveting to watch, but not here.
If you're patient enough, an affecting melancholy seeps through. Some scenes are maddeningly vague, but others wonderful and mysterious, capturing a child's plaintive wide-eyed perspective for a few gorgeous, fleeting moments.
All suggestion and no imposition, a subtle meditation on how we position ourselves in space, and to what end.
The story of these people is certainly engaging. The conundrums of art and reality, of reflection and mirror images, presented by the movie are another matter – they seem at times gratuitous. But at least the movie does give us something to think about.
Ultimately, it's hard not to feel like Hou is saying more explicitly and expansively in nearly two hours what Lamorisse managed to convey in only one-fourth as much film.
Who knows? You might be in the mood for a slowly unspooling objet d'art filmique with flashes of brilliance in composition and framing. Or you might want to see Iron Man again.
For all its fuss and fury, Flight of the Red Balloon succeeds magnificently, providing not only an artful homage to Lamorisse's Academy Award-winning short, but also a weightlessly floating tour of the French capital.
Hou's first film made outside of Asia is his most emotionally turbulent, yet he remains, like the balloon, outside looking in, a compassionate but distant observer...
More often than not, the red balloon appears as a silent, benevolent witness to ethereal moments that [director] Hou has taken great care to capture.
Plenty of well-meaning filmmakers advertise emotion without contextualizing it. Hou's latest film feels to me like a masterpiece responding intuitively to a masterpiece.
What Mr. Hou has done is borrow power and some gentle intimations of a state of grace from one of the most enchanting images in movie history.
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