Like Red Eye, last month's air-scare flick, Flightplan rides a jet stream of post 9/11 worries.
Flightplan (2005)
Tomatometer
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Reviews Counted:167
Fresh:63
Rotten:104
Average Rating:5.3/10
Consensus: The actors are all on key here, but as the movie progress, tension deflates as the far-fetched plot kicks in.
Runtime: 1 hr 38 mins
Genre: Thriller, Theatrical Release
Synopsis: After 2002's PANIC ROOM, Jodie Foster took a three year break before deciding to take another leading role in a major motion picture. Three years is a lifetime in Hollywood, but Foster is one of... After 2002's PANIC ROOM, Jodie Foster took a three year break before deciding to take another leading role in a major motion picture. Three years is a lifetime in Hollywood, but Foster is one of the few stars who can afford to take such a lengthy hiatus from the industry and still command major roles on her return. Robert Schwentke's FLIGHTPLAN is the movie Foster chose as her comeback vehicle; playing the recently widowed Kyle Pratt, she sticks close to PANIC ROOM territory, delving further into fear and isolation as her character boards an airplane to escort her dead husband's body from Berlin to New York. Kyle brings her young daughter Julia (Marlene Lawston) on the plane with her, and they fly on a craft that was designed by the grieving widow during her tragic tenure in Berlin. But after a short in-flight nap, Kyle awakes to find Julia has disappeared. Her frantic search leads nowhere, and it seems no one on the plane can remember Kyle's daughter boarding the plane. An air marshal named Carson (Peter Sarsgaard) and the pilot of the plane, Captain Rich (Sean Bean), methodically ask Kyle some questions to determine where Julia could be, but she fails to produce any concrete evidence, not even a boarding pass. At this point, Kyle begins to doubt her own sanity, and Schwentke steers the movie through some surprising plot twists as his lead character teeters on the brink of madness. The second half of the movie drops the Hitchcockian intrigue (FLIGHTPLAN owes a sizeable debt to Hitchcock's 1938 thriller THE LADY VANISHES) and settles into a more straightforward action film, but Foster shines throughout. Credit is also due to cinematographer Florian Ballhaus, who unnervingly conjures up a palpable feeling of claustrophobia as the high-tech airplane endures a rocky journey through the skies. [More]
Starring: Jodie Foster, Peter Sarsgaard, Sean Bean, Kate Beahan
Starring: Jodie Foster, Peter Sarsgaard, Sean Bean, Kate Beahan
Director: Robert Schwentke
Director: Robert Schwentke
Screenwriter: Billy Ray
Producer: Brian Grazer
Composer: James Horner
Studio: Touchstone Pictures
Reviews for Flightplan
As lean and taut as the muscles on Jodie Foster's fine- boned face, Flightplan is a terrific-looking thriller that wastes no time with embellishment or asides.
Ultimately what makes this picture fly is Foster, who's playing another character who turns jeopardy into vengeance as a rite of motherhood.
Foster is believable, but casting her is like entering a Maserati in the soapbox derby.
Two thirds of this movie is pretty gosh-darn good and suspenseful. The third act, on the other hand…meh, not so much.
Directed with a crisp eye and some fluid flourishes, and Foster makes the thing perfectly watchable, but one can't help but think Flightplan is all premise and no plot.
I was so annoyed with Foster’s character that I hoped the air marshal would put a bullet in her brain and thus end the misery for the audience.
[Y]ou can almost feel [Foster] spinning her artistic wheels as the story spins into the ridiculous...
The filmmakers take us on a gripping ride -- they just forgot to pack a parachute.
Flightplan is another one of those thrillers with a clever setup that, once all the cards are laid out and the plan is revealed in full, completely collapses.
Good performances and striking looks are meaningless if your story falls apart when the tensions should be ratcheting up to unbearable level
Foster's character in Flightplan is incredibly one-note, and it really wears on you after a bit.
cleverly combines old-school suspense and modern-day paranoia into a tense, compact thriller that's scarier than a long flight on a bankrupt airline.
This airborne Jodie Foster thriller pretty much runs on autopilot and lands somewhere between not bad and not great.
What starts out as a decent thriller soon winds up plummeting to the ground, brought down by its own improbable plot twists and illogical storyline.
Flightplan is two-thirds of a great movie and one-third of a mediocre one, but hey, even the mediocre one has Jodie Foster in it.
Flightplan is a good example of Foster’s uncanny ability to make almost any material work.
Like a delicious oven confection that has us clamoring for its final outcome, once the door is open too soon - it flattens on sight.
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