Even for audiences who normally would not be interested in cycling, The Flying Scotsman is a good choice, because this film is about so much more. Miller has given us an appealing, if unusual, protagonist who leads us to cheer him on in life.
The Flying Scotsman (2007)
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Reviews Counted:51
Fresh:26
Rotten:25
Average Rating:5.6/10
Consensus: The Flying Scotsman's too-brisk pacing reduces the scale of cyclist Graham Obree's accomplishments while not uncovering what makes him tick.
Theatrical Release:29-06-2007
Synopsis: THE FLYING SCOTSMAN follows the standard blueprint for a sports film: underdog overcomes obstacles to become a champion--but adds the element of the hero's real-life mental illness to make an... THE FLYING SCOTSMAN follows the standard blueprint for a sports film: underdog overcomes obstacles to become a champion--but adds the element of the hero's real-life mental illness to make an engaging drama. Jonny Lee Miller (TRAINSPOTTING) plays Graeme Obree, a Scottish cyclist who is seemingly past his prime. He has gone from winning races to running a losing bike shop, but he can't be called a quitter. When he learns his old rival will race for a record, Graeme decides to get back in the game. His wife (Laura Fraser, A KNIGHT'S TALE), a fellow avid cyclist (Billy Boyd, THE LORD OF THE RINGS: THE RETURN OF THE KING), and a friend (Brian Cox, RUNNING WITH SCISSORS) all join him in his quest. Though his opponent's bike boasts $500,000 in engineering, Graeme builds his from scratch, even dismantling a washing machine to make the perfect bike. In addition to his lack of a designer cycle, Graeme also struggles with a mental illness that makes it difficult for him to get out of bed, much less try for a world record. But despite his troubles, Graeme is stubborn and driven, and Miller ably captures the zeal of the real-life athlete. Cox may be best known as a villain in films such as X2, but it's fascinating to see him play such a sympathetic character here. For those who love sports movies (or even just dramas in general), THE FLYING SCOTSMAN begs comparison to CHARIOTS OF FIRE. For most people, cycling doesn't hold the thrill of the typical spectator sports such as basketball or baseball, and one might assume that extends to the movie as well. But thanks to its strong characters and the novelty of a film about cycling, THE FLYING SCOTSMAN deserves a look. It could have benefited from developing the mental illness aspect of the plot, but it still adds an interesting element to what would've been a standard film. [More]
Starring: Jonny Lee Miller, Laura Fraser, Billy Boyd, Brian Cox
Starring: Jonny Lee Miller, Laura Fraser, Billy Boyd, Brian Cox, Morven Christie, Steven Berkoff, Andy Griffith
Director: Douglas Mackinnon
Director: Douglas Mackinnon
Screenwriter: Simon Rose, Declan Hughes, John Brown
Producer: Peter Gallagher, Peter Broughan, Sara Giles
Composer: Martin Phipps
Studio: MGM
Reviews for The Flying Scotsman
If you ride for pleasure or for sport -- or just to get from one place to another -- Scotsman is worth seeing.
Compressing Obree's story into an hour and a half makes it seem less astonishing than it actually is -- the triumphs seem too easily won, and the problems too quickly resolved.
The movie's treatment of Mr. Obree's mental illness is so perfunctory that it might have been better not to address the subject at all.
How a movie based on a figure so fascinating and inspiring fails to achieve either of those qualities is perplexing.
This modest mix of inspiration, humor, and near tragedy manages to be suspenseful, even though we pretty much know the outcome.
For bike racing enthusiasts there is much meat here, but the film may ultimately fail to fully engage and inspire a more general audience.
Obree is clearly a great man, but you wouldn't know it from this uncomplicated evocation of his life and successes.
Scotsman not only lacks vision, a true sense of how to mesh Obree's sporting triumphs and personal setbacks, but it also lacks passion. What it needs, as strange and tacky as it may sound, is a bit more madness.
The film imparts a feel-good glow about the triumph of the underdog in adversity. And the training scenes against scenic backdrops should please tourist authority Visit Scotland.
Has a terminal case of the cutes crossed with the labored earnestness of a disease-of-the-week melodrama.
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