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The Fountainhead (1949)
Tomatometer
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Reviews Counted:11
Fresh:9
Rotten:2
Average Rating:6.4/10
Runtime: 1 hr 54 mins
Genre: Dramas
Synopsis: Long treasured as a masterpiece of camp, THE FOUNTAINHEAD stars Gary Cooper as architect Howard Roark. A paragon of integrity, he refuses to create buildings that violate his sense of aesthetic... Long treasured as a masterpiece of camp, THE FOUNTAINHEAD stars Gary Cooper as architect Howard Roark. A paragon of integrity, he refuses to create buildings that violate his sense of aesthetic value, choosing instead to work as laborer until he can find funding for his own projects. He becomes involved with wealthy Dominique (Patricia Neal), a woman who combines sexual aggressiveness with an abiding belief that a woman must be subdued in order to love. Roark accepts a commission to build a public-housing project provided that no changes be made to his radical design. When a team of architects is employed to humanize his work, the enraged architect blows up the entire complex. He's placed on trial and is forced to defend the extremity of his action. One of the most unusual artifacts ever to emerge from Hollywood, Ayn Rand's adaptation of her novel is a contradictory hodgepodge of sub-Nietzschean musing, so laden with wooden rhetoric and hysterical ranting that it could never be mistaken for any speech ever uttered on this planet. The bizarre miscasting of Cooper as an arrogant Ubermann and Patricia Neal as a mildly sadomasochistic intellectual only add to the fun. In the legendary scene in which Dominique watches Roark pound his pneumatic drill into the quarry rockface, there's no mistaking the beatific look on her face for intellectual excitement. [More]
Starring: Gary Cooper, Patricia Neal, Raymond Massey, Kent Smith
Starring: Gary Cooper, Patricia Neal, Raymond Massey, Kent Smith, Robert Douglas, Henry Hull, Ray Collins, Moroni Olsen, Jerome Cowan, Paul Harvey, Thurston Hall, Harry Woods
Director: King Vidor
Director: King Vidor
Screenwriter: Ayn Rand
Producer: Henry Blanke
Composer: Max Steiner
Reviews for The Fountainhead
It's the kind of dazzling film, shot in a fascinating German Expressionist style, that veers from being silly to being provocative.
King Vidor took Ayn Rand's preachy and pretentious novel about creativity, power, and compromise and turned it into a highly enjoyable and juicy Freudian melodrama, replete with phallic imagery.
It remains one of the strangest and most florid pictures of its time, possibly of all time. It's also immensely enjoyable and startlingly steamy... a stylish, fascinating curio.
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