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Freedomland (2005)
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Reviews Counted:146
Fresh:34
Rotten:112
Average Rating:4.6/10
Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Runtime: 1 hr 53 mins
Genre: Dramas
Synopsis: Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective... Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective Lorenzo Council (Samuel L. Jackson) attempts to uncover the truth in victim Brenda Martin's story. Bleeding and dazed in an inner city ER, Brenda (Julianne Moore) explains that on her way home from work in the projects of fictional Dempsey, New Jersey, a black man assaulted her and stole her car. Matters are intensified when it's revealed that her 4-year-old son was asleep in the backseat. Novelist Price (CLOCKERS), who also wrote the screenplay, has never shied away from the blunt realities and moral ambiguities of the contemporary urban experience. Though Price's vision is often unrelentingly bleak, and his characters are far from saintly , there's a weary hopefulness that birddogs them throughout. Stars Jackson and Moore turn in performances as incendiary as the film's subject, and the excellent supporting cast (Edie Falco and Anthony Mackie, among them) tackles these complex characters with both nuance and fire. Director Joe Roth (CHRISTMAS WITH THE KRANKS) is given the monumental task of bringing Price's epic to the screen and his visual approach works well--all cinematic chiaroscuro and icy hues. Still, Price's themes of racial and class tension are rough, murky waters and require both a bold vision and a deft touch. As much as Roth is clearly passionate about the task at hand--setting an emotional fever pitch from the word go--the hopeful resolution he desires is not so easily attained, if attainable at all. FREEDOMLAND is a tough one, and although flawed, in the end, it's an emotionally complex, politically provocative film worth viewing. [More]
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe, Ron Eldard, Anthony Mackie, Aunjanue Ellis, Latanya Richardson, Clark Peters, Peter Friedman, Dominick Lombardozzi, Philip Bosco
Director: Joe Roth
Director: Joe Roth
Screenwriter: Richard Price
Producer: Scott Rudin
Composer: James Newton Howard
Studio: Sony Pictures Entertainment
Reviews for Freedomland
This mixed-up, self-important thriller is adapted by Richard Price from his own novel and wastes a talented cast.
Freedomland might just play to the MTV generation, but even they'll likely have trouble swallowing this particularly clumsy pill.
Freedomland has an extremely strong opening sequence but its intriguing premise is quickly squandered in favour of overwritten speeches and a series of boring, nonsensical scenes that seem to go nowhere.
Flabby, dull and overlong, it's a B-grade movie with A-list talent and an inflated idea of its own importance. Think Tsotsi crossed with Clockers with the imagination of neither.
Samuel L. Jackson, Julianne Moore and Edie Falco deliver the grand-slam performances largely missing from this year's Oscar lineup.
It's a big lumpy mess of a movie, with a screaming, crying and babbling Moore at the center providing the unintentional laughs.
It tries hard and means well. And I couldn't hardly wait for it to end. Freedomland falls short as entertainment.
earnest, ponderous and dull, except for those interludes when it's being dull and witless
What begins as a familiar kind of media-circus melodrama ends up being something much more complex and tangled.
Roth takes hackneyed situations and clichéd dialogue and makes them play worse on the screen, even managing to get a bad performance from Moore -- no mean feat.
Somehow "Freedomland" manages to balance issues of drug abuse, racism, missing children, loneliness and activism without becoming lost.
What could have been an unusually smart police procedural becomes a sprawling, overwrought melodrama that itself morphs into a sort of spiritual romance.
Moore and Jackson are in top form and hold the attention throughout. They make you wish that 'Freedomland' had a tighter screenplay.
In Roth's hands, Freedomland is a civics lesson disguised as a police drama, shrouded in a mystery that's not very mysterious to anyone who has seen the trailer.
Freedomland is sloppy; plot points are introduced, then left dangling; characters who are involved throughout most of the feature simply disappear ...
Freedomland, a movie with a lot on its mind and too much on its plate.
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